Showing posts with label Norman Mailer. Show all posts
Showing posts with label Norman Mailer. Show all posts

Friday, 7 October 2022

Mo' Norman (Mailer) (Dave's Weekly Update #461)

Hi, Everybody!

Picking up from Last Week
Dave's Weekly Update:


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Because I'm a busy guy, Dave & I aren't doing Please Hold For Dave Sim until NEXT week Thursday. So, if you have a "burning question" for Dave Sim, I'd suggest you drink a big glass of salty water or some cranberry juice...or sent it to momentofcerebus@gmail.com
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AND ALSO:
The Last Day
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Steve Peters Week?
Friend to the Blog, Steve Peters is doing a new crowdfunding campaign for his latest book. Ends on the 21st. And then you'll be sad...
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Oliver's Cerebus movie: The Absurd, Surreal, Metaphysical, and Fractured Destiny of Cerebus the Aardvark it's currently available on "Plex", "Xumo", "Vimeo On Demand", "Tubi".  And if you're in Brazil...
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Heritage has pages from Cerebus #1 (like, did the WHOLE issue's original art hit the block recently?!?). And a whole heap of other neat stuff.
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Up to 35% off site-wide:
October 12-16, 
October 20-21, 
October 26-30
Tell your fans! Remind them that everything will be up to 35% off -- that means $13 tees, $20 phone cases, $30 hoodies, and way more!

Next Time: Cerebus!

Monday, 11 November 2013

Norman Mailer's House

Cerebus #207 (June 1996)
Art by Dave Sim & Gerhard
TOM WARD:
(from I Stayed In Norman Mailer's House..., Vice.com, May 2013)
I didn't really know why I'd been invited to stay at Norman Mailer's house. My knowledge of the late writer was limited to what I'd gleaned from a quick skim through The Fight (Mailer's excellent account of Muhammad Ali and George Foreman's Rumble in the Jungle) and the obligatory Wikipedia scan. 

Even going on these limited preconceptions, there were certain things I didn't expect to find in Mailer's former home. For example, an attic study full of hundreds of books on Hitler, the Forrest Gump soundtrack on cassette and the complete set of Dave Sim's Cerebus the Aardvark graphic novels all seemed like unusual cultural touchstones... 

(Submitted by Sandeep Atwal)

Saturday, 5 May 2012

Of A Fire On The Moon

LIFE magazine (29 August 1969)

 DAVE SIM:
(from an interview in The Comics Journal #192, December 1996)
What was interesting was that I was doing all of the research on that and reading as much as I could about the moon and the whole Apollo program and whatnot and one of the things that I did pick up was Norman Mailer's Of A Fire On The Moon. I got about 30-40 pages into it, and went, "This is an interesting book, but it's got nothing to do with what I'm talking about here. It's not going to help me to understand the moon. I want to find out as much as I can about the moon." Well, I actually got around to reading the book three or four months ago. And it's extraordinary. Because it's all in there. It's a different coloration, I would suspect having to do with Norman Mailer's particular circumstances at the time, but so much of what I was trying to talk about in Church & State and failed to say, and them tried again to say filling in another half of the sphere that those two stories make up - Church & State and Mothers & Daughters - is there. Frustrating as hell as it may be. Mailer was there first. And he had just about everything on paper that I was trying to get across. Very irritating [laughter] considering that he did it in about six weeks. It's a gig: "LIFE magazine is going to give you a wad of money, you've got all these ex-wives to take care of, what the fuck? Fly down to Houston and we'll see if we can make a story out of it."
Cerebus #107-108 (February-March 1988)
Art by Gerhard
RALPH GRAVES, Life magazine editor:
(from Norman Mailer At The Typewriter, Life Magazine, 29 August 1969)
A Fire On The Moon, Norman Mailer's treatise on the moon landing starts with this issue. It is the matching of a fantastic subject with a most unusual journalist. "I can't write anything in 5,000 words," Mailer told us, "and 10,000 words is just for poker money." This enormous instalment, in fact, runs some 26,000 words - the longest non-fiction piece LIFE has ever published in one issue... Mailer is a phenomenon as well as a writer - novelist, journalist, movie-maker, candidate for mayor of New York last spring, and all-around public outspokesman. He doesn't cover a story in traditional fashion. Before writing The Armies Of The Night, he broke two icons of  journalism: he took no notes (for he had not intended to write anything) and he inserted himself into the story as the central figure. The book won a Pulitzer prize. In A Fire On The Moon Mailer says he is not the central figure (Saturn V is) but is simply an observer and a voice... Mailer uses transcripts of speeches and press conferences, and he does take notes, but they are reflections of his own thoughts rather than descriptions of the scene or quotes from the characters. He seems to hammer his perceptions into his subject until he finds a core of meaning, which is often different from what anybody else has found.

NORMAN MAILER:
(from a letter to Apollo 11 commander, Neil Armstrong, 26 February 1970)
I've worked as assiduously as any writer I know to portray the space program in its largest, not its smallest, dimension.

Of A Fire On The Moon by Norman Mailer was serialised in LIFE magazine in 1969 and 1970, and was published in 1970 as a book. It is an intensive documentary and reflection on the Apollo 11 moon landing from Mailer's distinctive point of view. After spending time at the space center and mission control in Houston, and witnessing the launch of the colossal Saturn V rocket at Cape Kennedy in Florida, Mailer began writing his account of the historic voyage at his home in Provincetown, Massachusetts during marathon writing sessions to meet his deadlines for the magazine. His epic account, which ran to 115,000 words, was published in three long instalments: A Fire On The Moon (LIFE, 29 August 1969), The Psychology Of Astronauts (LIFE, 14 November 1969), and A Dream Of The Future's Face (LIFE, 9 January 1970). Mailer's Of A Fire On The Moon was reproduced by Taschen Books in 2010 as Norman Mailer: MoonFire, a publication commemorating the 40th anniversary of the Apollo 11 moon landing with Mailer's non-fiction writing and photographs from various sources.

Tuesday, 6 March 2012

Norman Kingsley Mailer (1923-2007)

Kingsley (Cerebus #207, June 1996)
Art by Dave Sim & Gerhard

The author Norman Mailer (1923-2007) makes a cameo appearance in Cerebus #207 as Kingsley, drawn by Dave Sim using an Al Hirschfeld illustration style. Al Hirschfeld (1903-2003) was an American caricaturist best known for his black and white portraits of celebrities and Broadway stars. Hirschfeld is known for hiding the name of his daughter, Nina, in most of the drawings he produced since her birth in 1945. The name would appear in a sleeve, in a hairdo, or somewhere in the background. Sometimes 'Nina' would show up more than once and Hirschfeld would helpfully add a number next to his signature, to let people know how many times her name would appear.

DAVE SIM:
(from the letters page in Cerebus #225, December 1997)
If you check your Guys volume, pages 139 (top panel) and 140 (second panel), you will see two 'Ninas' in the former picture - one at the bottom of Kingsley's right sideburn and one upside down in his hairline - and one 'Nina' in the latter picture - again in Kingsley's right sideburn.

DAVE SIM:
(from a letter to Norman Mailer dated 18 March 2004, reprinted in Dave Sim's Collected Letters Vol 1, 2005)
The tipping point is that I am finally done with my epic-length work, so I can rest easy at least that I am not sending [Reads, Guys, Form & Void and selected essays] to you for your endorsement. While the work was still in progress that might very well have been a motivation that I was hiding from myself (an existential self-doubt, to use a Mailerism). Now, that isn't the case. Now, I can be, at least reasonably sure that if, heretofore, I have had the bad literary manners to dedicate a book [Reads] to someone without asking his permission first (which I suspect is the real world protocol) and compounded that breach of good etiquette by not sending the dedicated book to him for nine years after is publication I am, at least, equally and reasonably sure that my motives would not be so transparently suspect as they might have been nine years ago when I was only a couple of hundred pages past Cerebus' projected halfway point. I wanted to make it to the end on my own. Then I wanted to acknowledge your... unimaginably large... contribution to my own life and work once I was past the finish line.