Then:
Hey,
There are also some photos of Dave signing Cerebus No. 4 GOLD version!!
Things are really coming along with the Kickstarter project this week and we are hoping to have most of the items ready for shipping next week.
Hey,
There are also some photos of Dave signing Cerebus No. 4 GOLD version!!
Things are really coming along with the Kickstarter project this week and we are hoping to have most of the items ready for shipping next week.
"It's Please Hold For Dave Sim Time!"It's Please Hold For Dave Sim Time!"Dave Sim and Manly Dow,"Say 'let's do it any-how!'"Let's give a rousing cheer,"Cause Please Hold Time is here,"It's time to start this $#!*,"So let's get on with it!"
Hi Matt! Hi Dave! Nice to hear from you again.
Dave, Cerebus has been translated into several languages. Did the editors and translators communicate with you as I usually do? And were there any other interesting stories related to the translated editions?
Hi Matt!
I hope you had a wonderful Thanksgiving. Here's a question for Dave but it may have something to do with your question for Dave.
Hi Dave!
I remember reading questions from the Cerebus comic book back in the day and fans asking if something would happen to you, what would happen with Cerebus' ending? I think I remember that Gerhard would finish the book without words. I'm sure there were a few other answers that I have forgotten. My question is: is there a notebook that Margaret doesn't have that you still possess that has the ending written down if something should have happened to you before you got to 300?
All the best,
Michael R.
Dave,
Hello!
You've mentioned many times that you sold your comics collection years ago.
You also talk about all the free Indy/self-published/creator owned books you receive as gifts.
Do you keep all of these and/or consider this a separate kind of "collection"?
Cheers from bat-shit crazy California,
M J Sewall
Have you read anything by the British author G.K. Chesterton? I know you exclusively read the Bible and Koran, so I won't try convincing you to read his stuff now. But I'm curious if you came across any book or other writings by him in the past.Part Six: Dave answers this question from Matt Dow (WAIT! That's me!):
Thanks, Nadab
So now that I’ve read Volumes 1 and 2 of The Strange Death of Alex Raymond (plus the mock-ups of Volume 3 and Carson’s attempt at an ending, my question is: How much of the glamourpuss SDOAR narrative still “counts”? Like there’s two pages from issue seven:
That I believe tie in to the bits of SDOAR that THIS Guy ruined:
So, how much of glamourpuss still “counts”?
(Also, I’ve started giving away PDFs of glamourpuss to anybody who wants them, I just tell them “If you wanna swing by cerebusdownloads.com and donate what they're worth to you, I won't stop ya!” And everybody says they’re gonna. So if a bunch of money has gotten donated, that’s why. And if NOTHING has gotten donated, it’s because all your “fans” are lying-rotten-no-good-rat-bastards!...
Up to 35% off site-wide:December 1 – 19Tell your fans! Remind them that everything will be up to 35% off -- that means $13 tees, $20 phone cases, $30 hoodies, and way more!
And have you seen this:
(Unfortunately, I can’t get it big enough to read. I’ll try to get a better copy if you haven’t seen it.)
Carson Grubaugh:
"Thank you," to the fans for keeping interest in this project alive through the ups and downs, and years of waiting. Even after five years of working on the book I am ultimately one of you, a massive fan of Dave's work, a ginormous fan of the glamourpuss material, someone who has been eagerly awaiting being able to own a copy of SDOAR since it was first announced. My involvement was always about helping make sure this amazing piece of comics history saw shelves, and...
The time is finally here!
The Strange Death of Alex Raymond Kickstarter will go live at 1 pm EST on Weds April 28th!
(Yes, the book is available through Diamond and Amazon, but you can also get it directly from Sean and I, thus cutting us in on a bigger slice of the profits, which will allow for a larger print-run.)
More important, for all of the hardcores, we are offering a Limited Edition of 301 copies (yes, Seiler, this is 100% for your sake; a legitimate #301 of 301! How is that for fan service?).
The Limited Edition will include the hardcover SDOAR, plus a bookplate illustrated by myself, signed by both myself and Dave, as well as a special 80 page booklet that collects all of the collage mock-ups I received from Dave for v2 and v3, as well as all of the "technical notes" Dave sent along with those mock-ups to explain what I was looking at.
The cover of the 80 page booklet, Dave's cover design for V2:
A sample page from the 80 page booklet, a page of mock-ups for V2:
...............................................................................
Now, a behind-the-scenes look at the creation of the bookplate!
My initial idea was to have something that picture me and Dave with word balloons we could sign our names in. Something humorous. The hope was to have Dave draw a portrait of me, with me drawing Dave and anything else that needed doing.
Dave declined to jam on the illustration so I set about designing it on my own.
My poor memory told me there was a photo out there of Dave giving someone a noogie. I wanted to use that to make a drawing of Dave giving me a noogie while saying something playful. I was also hoping that if I wrote some piss-poor dialogue it would spark Dave's creativity and he would create some actually funny dialogue for the drawing.
Margaret Liss couldn't think of any photos of Dave giving a noogie, but did send me a set of Dave fighting Cerebus:
That last one looked pretty great, very dynamic, so I rolled with it and took a photo of myself that would lock in with Dave's pose.
and mocked up an idea in Photoshop.
And proceeded to produce this image.
That got printed out in pure cyan ink and the final inks were done directly over that print out.
There was one round of suggested changes made to the faces of Raymond and Drake in the Corvette that got us to the finished piece shown in the image above.
No one will ever see the absolutely abysmal Raymond face that was there the first time around. Thank goodness for whiteout.
This bookplate will be signed by both myself and Dave, and will be affixed to the inside back cover of only 301 copies of SDOAR. These copies are available exclusively through the Kickstarter, so be ready to order yours on Wednesday, April 28th!
.............................................................
Once again, thank you all so much for sticking by this project through the years. It is your enthusiasm that has pushed it forward to the forthcoming release to the general market. We thank you ahead of time for this last show of support!
Best,
Carson Grubaugh![]() |
| This one's going up to Dave too. |
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| Click for bigger if you're REALLY into purple... |
Hi Dave!
1- When did you see SDOAR coming to an end?
2- Was it sudden of kinda creepin' along?
3- What was the straw that broke your back?
Also, I know you made up your mind when you said, " I'm afraid I've had enough", but you also said, " I hope to work in SDOAR VOLS 3, 4 and 5 as a hobby, but that really unlikely". Well, if you "hope" then I believe there's still a chance. I still believe in Dave Sim and I believe that Eddie will get VOL 1 to the 123.
That's Dave from the Cerebus Yahoo group's Cerebus Re-Read Q&A (specifically the one from "Reads".)WILDCARDa: What's your take on the Star Wars saga?DAVE: I went to see Episode Three a week or so ago, not having seen any of the films since the second one. I sort of wondered to myself about that. Why didn't I go and see any of the other ones? As soon as Yoda came on the screen I remembered. A Muppet with Fozzie Bear's voice. It just blew the whole thing out of the water for me. I had forgotten the skewed syntax to his sentences as an alien motif but I'm sure I found it as sincerely irritating twenty-five years ago as I did this time. It's Fozzie Bear. How do you expect me to take a muppet who sounds like Fozzie Bear seriously as a Grand Master Poobah type. It was silly. Ger lasted one more movie and then had the same reaction, he informs me, to teddy-bears saving the universe.
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| The Vark Wars print (blatantly stolen from Jeff Tundis' cerebustheaardvark.com site. I'd sue, really, I would. It's...just...so...BLATANT!) |
It's certainly interesting doing these commissioned pieces. I mean, on the one hand it makes me feel like a much older artist than the fifty year-old that I am. Commissions are sort of an Legendary Veteran kind of thing, but then being the Pariah King of Comics puts you in various contexts that you might otherwise not be in. Producer of Commissioned Work being one of them (although I've yet to tie it in with my discussions with Chester about prostitution). The interesting part is that I end up drawing things that I would never in a million years choose to draw on my own. It's no big secret that I am definitely not in the Star Wars fan category. I had gone to see the first film when it came out and loved it (more vicariously through Gene Day who L*O*V*E*D IT) and then went to see the second film when it came out and, well, that was it for me. I went to see the last instalment when that came out a couple of summers ago, part of me wondering, "How did I get so easily put off by these things? Wasn't there enough Gene Day Juice in the first one to keep me coming out to see every one of the films the day it was released?" The answer came at some point in that final instalment when Yoda showed up on the screen. Oh, right. Fozzy Bear. Frank Oz doing his Fozzy Bear voice with that strange syntax. That was what had done it all right. My willing suspension of disbelief went from willing to unwilling the moment I was being asked to accept a Muppet with Fozzy Bear's voice as a Jedi Master. Mm. Sorry. No can do.
No offence to all the Star Wars fans who are legion in the ranks of the Cerebus Yahoos, but that was it.
So it was interesting going to get reference at the library for the piece. There was a picture book that was just tailor-made for my purposes, Star Wars The Visual Dictionary (D.K. Publishing Inc.). Big display publicity shot of Harrison Ford from the first movie looking as if George Lucas is somewhere off-camera explaining to him exactly how to pose as Flash Gordon as drawn by Al Williamson. This was one of those "luck of the draw" things for John H. that he was asking for a Star Wars commission and that Al Williamson had drawn the original Star Wars newspaper strip. I would get a chance to do my best Al Williamson impression on the page and John was pretty much guaranteed to get a much nicer drawing as a result as I tried to impress my inner Al Williamson.
I had already warned John over the phone that Cerebus as Han Solo was going to pose some difficulties since Han Solo is a distinctly vertical figure. The more vertical a character is, visually, the more difficult it is to compress him to Cerebus size. The leg holster was a good example. It was either going to be too large if I drew the blaster accurately, taking up most if not all of Cerebus' leg, or it would look like a toy if I drew it to Cerebus scale. The Flash Gordon jackboots are a big part of the look and there was no way to do them on the shape of Cerebus' leg. The best I could manage was shiny leggings. John expressed confidence in whatever solutions I came up with. "At least he has the same vest," he said hopefully. Han Solo had a Cerebus vest? Sure enough when I got the book out—cut differently but definitely a black vest.
Anyway, this serendipitous publicity shot of Harrison Ford looking exactly like an Al Williamson Flash Gordon pushed me in an entirely different direction. I just HAD to use the whole thing and traced it off in short order manufacturing my rationalization as I went. What if Cerebus is using the legs as stilts? That way I could draw the legs and boots as much like Al Williamson as I wanted and it would look kind of funny to have Cerebus' own legs bulging up Harrison Ford's svelte waistline. I even decided to include Harrison Ford's hair as if someone had taken extraordinary pains to make this aardvark character look as much like the actor as possible. I tightened up the figure in pencil on tracing paper and got out a sheet of 11 x 17 S-172 artboard to figure out how much space he was going to take up.That was when I noticed that the book had a nice Star Wars logo in gold against a white backdrop, which meant that I could trace it off without even shooting a photocopy. It only took a few minutes to change Star Wars to Vark Wars. Then it was time for Jaka as Princess Leia. I tried the traditional all-white robe and the hairstyle that looked like two cheese Danish stuck on either side of her head from the first movie. It just didn't work for me somehow. It was hard to tell why. The basic answer is that the outfit is pretty much featureless—a nun's habit is more distinctive!—and it was pretty much tailored to Carrie Fisher's body type which is very different from Jaka's body type. I could trace off the publicity photo in the book, but pretty much everything would have to be redrawn anyway including the posture of the figure. What a strange outfit. Did they cast Carrie Fisher before they designed the costume? These are the sorts of questions you find yourself asking yourself when you're hip-deep in a strange commission and mentally analyzing the physical components. Under what other circumstances would Dave Sim find himself asking himself if Carrie Fisher or her costume came first in the first Star Wars movie?
On the facing page was a smaller shot of Carrie Fisher dressed as Jabba the Hutt's slave girl. It certainly seemed more suited to Jaka with her dancer costumes (and I suspect if your average Star Wars fan was to choose a favourite Princess Leia outfit the slave girl outfit would be the one) (I wonder how many slave girl publicity stills Carrie Fisher sells versus the other publicity stills at show signings these days?). This raised even more layers of speculation that I had no idea I had inside of me. How did George Lucas talk Carrie Fisher into the slave girl thing? I mean, that was pretty far along in the series and presumably Carrie Fisher was still thinking and hoping that this Star Wars gig might be a stepping stone to other roles in "major motion pictures". "Barely there" costumes are not exactly something with which actresses with hard-won screen cred are known to willingly associate. Did he just blindside her with the script? Throw it onto her front steps in the middle of the night? PRINCESS LEIA DRESSED AS SLAVE GIRL ENTERS FROM RIGHT OF SCENE. When did she first get a good look at the costume? Did she call George Lucas up screaming? Can you even do that to George Lucas or did everyone have a "Whatever George wants George gets" clause in their contract? That might explain my favourite Harrison Ford quote where he said that George Lucas should be tied to a chair and forced to read his own dialogue out loud.
Where was I dredging all this stuff up from?
Were there negotiations about how much skin would be showing? Or was the outfit just presented as a fait accompli? I mean, it's a very good costume, based solidly in the Alex Raymond/Dale Arden mode (I assume it was one of the things on George Lucas' mental checklist) but with all of the high-end Hollywood costume artistry brought to bear. "Here's Alex Raymond/Dale Arden and here's Carrie Fisher's body type. Now, how do we do work them both in?" Pretty flawlessly, I would say. In the publicity shot she certainly doesn't look very happy (which I suppose could be just "in character" for a slave girl). Looks like she had to work out pretty hard to get that toned. How old was she at that time? Early thirties? No love handles, no pot belly. She did a great job.
As I say, it's bizarre what goes through your mind when you actually work on something like this. In the same vein, it was an unexpectedly happy nostalgia jolt to have John Williams' Star Wars soundtrack running through my head for days on end. Took me right back to 1978-79 when that was what you listened to most mornings at Gene Day's studio in Gananoque. "What'll it be? John Williams' Star Wars soundtrack or John Williams' Superman soundtrack?" It certainly made writing and drawing comic books seem incredibly heroic at the time.
I really have to give George Lucas credit as a thorough-going storyteller, assuming that all of the detailed information included in this book came from him personally. I mean, I'm probably just outside the loop, but I had no idea that that broken red racing stripe on the side of Han Solo's pants is a "Corellian blood stripe" or that his belt is equipped with a Droid caller and blaster power cell. Or that the blaster consists of a scope, enhanced blast delivery circuits, power pack release lever, low power pulse warning, power pack, cooling unit, final stage collimator (with "puree" setting?) and flash suppressor. Or that it's officially a DL-44 pistol. I think I managed to get them all on there, although I'll frankly admit that the proportions are probably off by quite a bit.
Anyway, I did a quick Jaka as Jabba the Hutt slave girl drawing on tracing paper and then reduced it a bit on the photocopier so she didn't look TOO much larger than Han Solo (although I did want her to look larger—this is, after all, Cerebus and Jaka), turned over the photocopy on the light table to trace off onto another piece of tracing paper…
…and the next day promptly fell ill for nearly a month.