Showing posts with label Events. Show all posts
Showing posts with label Events. Show all posts

Tuesday, 6 February 2018

Boxes? Boxes? We don't need no stinkin' Boxes!

Hi, Everybody!

If you're like me, there's only one thing on your mind:
Pro tip: If you're asking Morgan Freeman, it's probablGwyneth Paltrow's head...
That's right Debbie Does Dallas has sent in the following:
WASHINGTON, DISTRICT OF COLUMBIA--A Moment Of Cerebus has received another dispatch from its high-placed source, who is familiar with the matter at hand, speaking once again on the condition of anonymity.

The high-placed source said, "You know, I'm really getting tired of going to these dank, cold, underground parking garages.  Can't we talk somewhere warmer?  And why did I have to come 》here《 to call you, huh?

"What?  Oh.  Yeah, I got nothin' new on them damn black boxes.  I mean, they're black, they have a rectangular shape, they got labels, and the first has four one-of-ones, plus six others.  What more do ya want?

"Geez, it's cold in here!  Next time, somewhere warm, awright?  And tell that chick...um...Debbie, I think it was, to stop stalking me.  You think I'm cold?  You shoulda seen her..."

The high-placed source's dispatch got cut off there.
No they didn't, that was the entirety of the message.

*sigh*

Next time: I dunno, I just don't know anymore... 

Saturday, 6 May 2017

Meeting Gerhard: Michael Ragiel's East Coast Adventure!

MICHAEL RAGIEL:
My trip for the East Coast Comic-Con in Secaucus, New Jersey began Saturday morning around 9am. It took around 90 minutes to drive around 75 miles from Easton, Pennsylvania. I arrived around 10:30, found free parking in the garage, grabbed my nap sack and official Gerhard cylinder and off I went. I purchased my ticket at the door which was $40.00 and went in. I haven't been to a comic convention in years. The place was packed. 

I found where Gerhard was on the map and followed the map. There was a super long line. I asked someone on line if they were waiting for Gerhard. He said no. He was on line for Marv Wolfman. I moved up a little more and asked again if they were waiting for Gerhard and he said no. He was waiting for Denny O'Neil. He said just keep walking up and ask. Which I did. And lo and behold, Gerhard was in between both Marv and Denny. Just like a great sandwich, the best stuff was in between the 2 pieces of bread. Lol.

There was one person in front of me getting a sketch and talking with Gerhard and Shelley. When it was my turn both Gerhard and Shelley kind of figured that I was a fan and was trouble. In a good way. Gerhard was sketching a Gerebus for someone and made some small talk with Shelley. I took out a photograph of Dave Sim, Gerhard and myself taken back in the late 1990's. Shelley and Gerhard had a good chuckle with the photo.

I spent about 2-2 1/2 hours with them. Talking about almost everything Cerebus, craft beer, traveling. I talked until I was hoarse. I even walked out with Gerhard when he went out to smoke a cigarette. My wife said when I got home that I bordered "creepy fan". I felt more like a bodyguard. More lol.

On the way back we ran into and chatted briefly with Shannon Wheeler from Too Much Coffee Man fame. Took a few photos and followed Gerhard back to the booth.

I bought a few prints ( found out Margaret Liss bought way too many prints), got a sketch, and some Cerebus comics signed. I said my good byes and wished them both save travels back home. I went back to Shannon Wheeler and had him sign my Too Much Coffee Man omnibus book. I purchased a small book and matches. He had nothing but great things to say about Gerhard and Dave Sim.

After that I walked around for a little while and left soon after. I had an amazing time. It was definitely worth the trip.


Bonus Items: Gerhard's East Coast Convention Sketches!


Gerhard's 2017 Convention & Signing Itinerary:

Keep up to date with Gerhard's latest news at Gerz Blog!

Wednesday, 26 April 2017

Meet Gerhard Tomorrow At Escape Pod Comics!

I know I should have reached out much sooner, but with all the madness about approach FCBD it slipped my mind. We’ll be hosting Gerhard this Thursday, from 6-closing (and possible running a long time after as well!) Margaret Liss is going to be there, as well as Carla Speed McNeill. More details here...  ~  Menachem Luchins

Where: Escape Pod Comics, 302 Main St, Huntington, New York 11743
When: 18:00-20:00 EDT, Thursday 27 April 2017

Sunday, 13 March 2016

Gerhard: On Tour!

Gerhard's 2016 Convention Itinerary:
March 18-20: Comicon Toronto, ON
April 8-10: Wizard World Madison, WI
June 17-19: Wizard World Sacramento, CA
July-August: Gone Sailing Georgian Bay, ON
September 8-10: Wizard World Nashville, TN
November 4-6: Wizard World Pittsburgh, PA

Friday, 25 October 2013

When Ken Jennings Met Dave Sim

KEN JENNINGS:
(from the Ken Jennings Blog, 28 October 2006)
The most interesting part of my presentation last night at the Great Salt Lake Book Festival was what happened before it. I was scheduled to speak at 8 p.m. Friday night at Salt Lake City's beautiful downtown library (currently featured in Archie comics!) And, speaking of comics, the presentation directly preceding mine was by comic artist Dave Sim. He was doing a reading from noon to 6 p.m. Yep, you read that right: a six-hour reading...

I was a huge Cerebus fan in the early 1990s, when Sim was doing some of the most complex and formally exciting work ever seen in comics, turning his odd barbarian aardvark parody into a sprawling epic of politics and religion, and leading an influential movement for self-publishing and comics creators' rights. But today, if Sim is known for anything, it’s not the invention or longevity of his flagship series. Cerebus took an odd turn in the mid-90s, with Sim himself entering the comic proper to deliver a bizarrely misogynistic monologue in which he accuses women - unthinking female "Voids" - of seeking to quench his creative male "Light" (and perhaps sap his Precious Bodily Fluids).

Though the last decade of Cerebus had flashes of the early greatness, it read to me as if its woman-hating author was becoming swiftly unhinged. This was essentially confirmed by the final book of Cerebus, in which forty pages are given over to a kooky retelling of the origin of the universe, in which the creation account from Genesis is recast as a battle between the male Creator Elohim and the conniving female deity YHWH, whom Sim calls “Yoohwhooh.” And Sim made it clear that this story wasn’t just invented for the comic. He had recently undergone a drastic religious conversion (to a religion of his own devising, mixing elements of Christianity, Judaism, and Islam) and became convinced that his own odd cosmology was obviously capital-T true, and the only reason his crazy-sounding ideas weren’t catching on in scientific circles was because of the “feminist-homosexualist axis” conspiring against him.

That forty-page cosmology was what he was reading (and explicating) to true believers in Salt Lake. For six hours.

At 6 p.m., Dave was supposed to have wrapped up. I had shown up early for my own presentation, with my brother Nathan and his wife Faith, because we wanted to see the post-Yoohwhooh event: Dave's brilliant artistic collaborator Gerhard talking about a gallery display of original Cerebus art. But Dave wasn’t done. In fact, at about six, Dave was only on page 22. I'm sure he would have talked right on through my event, if they’d have let him.

But Book Festival organizers finally shooed Dave and a few hardy remaining fans out into the hall, where he continued his lecture with a laptop. Someone had told Dave that I was a fan, and I was ushered up to meet him. I was a little wary. I loved much of Sim's work and had spent hours and hours of my life reading it. But what do you say when you meet a certifiable genius whom you suspect is also certifiably nuts?

I was disarmed when Dave - a little leaner, a little less cocksure, a little twitchier than when I’d last seen him at a 1992 signing in Seattle - seemed to know exactly who I was and wanted a signed copy of Brainiac. I wasn’t sure what a reclusive religious ascetic hiding out from a vast feminist conspiracy would want with a frivolous, secular book about North American trivia culture, but I told him I’d love to sign him a copy. Was he just being polite? No, he seemed oddly gratified that I knew his work. He wanted to hang out.

"It's always sort of odd," he said, gesturing at the gathered comic fans, waiting to hear the end of Genesis, "meeting someone else that’s well-known and trying to talk in a situation like this."

I'd quibble with that overly inclusive definition of "well-known", maybe, but I wish I'd had more time to spend with Dave Sim. How often do you meet an personal idol-slash-fallen-idol and find out he wants to spend some quality time? But, on the other hand, maybe it would have turned out badly. I’d have been horrified by the psychological train wreck. Dave would have seen that I’d clearly been co-opted by the feminist-homosexualist axis, and accused me of trying to snuff out his Hard Gemlike Male Flame. The relationship was doomed from the start.

But I did feel an overwhelming urge to get home and reread some of my Cerebus comics. Maybe the masterful Jaka’s Story, or the issue where the funny old guy's snowshoes say "wuffa wuffa". You know, for old times' sake.

Ken Jennings holds the record for the longest winning streak on the U.S. syndicated game show Jeopardy! and as being the all-time leading money winner on American game shows. In 2004, Jennings won 74 Jeopardy! games before he was defeated by challenger Nancy Zerg on his 75th appearance. His total earnings on Jeopardy! are $3,172,700.

Sunday, 6 October 2013

Cerebus Re-Read: Count-Down To 10th Anniversary Of The End

Cerebus #61 (April 1984)
Art by Dave Sim
MENACHEM LUCHINS:
The Cerebus Re-read is an online event in which we will attempt to read (and discuss) all 300 issues of Cerebus between the dates of October 7th and March 10th, which is the 10th anniversary of the release of the ground-breaking 300th and final issue of the series. Hosted on ReplyAll.Me, the re-read will be conducted by CerebusFangirl.com webmaster Margaret Liss, Dave Sim & Cerebus afficianado Michael Hunt, and myself - comic shop owner Menachem Luchins. The platform of Reply All allows for a complete archive of the discussion the three will have AND a place for "audience" members to comment as well. Almost like a modern message board thread for the social media age.

The structure of the read will be informal, with a suggestion that readers try to finish 15-20 issues a week. The conversation will range all over the work but will focus almost solely on the content of the comic (and the inspirations for some of it) and NOT on the letter's columns, Sim's essays or other ephemera related to Cerebus. At times, attentions may end up being devoted to a single issue, at others a complete story-line encompassed in phone-book.

To get a feel for the Reply All structure and quality of the discussion there are already a few "pre-start" questions on the site. When discussing the Cerebus Re-read on social media, the hashtag will be #EPCCerebusRead.

Saturday, 31 August 2013

Low Society Launch Party!

LOW SOCITEY
by Rob Walton & The Toronto Comics Lab
On Sale: September 2013

In Low Society, Multiple Eisner and Joe Shuster award-nominated editor Rob Walton (Ragmop) and the Comic Lab bullpen take you on all-new adventures in aardvarkian insanity featuring appearances from Red Sophia, Moon Roach, Elrod, and more. Featuring an all new cover inked by Dave Sim with backgrounds by Gerhard. Plus a host of pin-ups, laughs and surprises. Attend the launch party/signing at the Comic Book Lounge in Toronto on 7th September with special guest Gerhard. More launch party details here...

ROB WALTON:
The publisher (Sean Menard) finally talked me into doing a six-pager as well, so you'll see my first new comic story since 2006! Never say never. Who ever thought the creator of the Ragmop would end up writing its antithesis, Cerebus? What a crazy world... I forgot to mention that Ger's color cover is for a print he's making to sell separately in conjunction with the book. Our cover remains in penny-pinching B&W.

Friday, 29 March 2013

The Norman Rockwell Exhibition (2007)

LitGraphic: The World Of The Graphic Novel
Norman Rockwell Museum, Stockbridge, MA
10 November 2007 to 26 May 2008

LitGraphic: The World of the Graphic Novel examines the development of sequential art through its practitioners. Their work continues to suggest new ways of seeing: wordless narratives by 1920s woodcut artist Lynd Ward and modern-day commentator Peter Kuper; revolutionary underground comix by R. Crumb and humorous, personal Girl Stories' by Lauren Weinstein; the visual thrill of works by Mad Magazine co-creator Harvey Kurtzman and Breathtaker co-creator Marc Hempel; and the pioneering art of Will Eisner (Contract with God), Dave Sim (Cerebus), and Terry Moore (Strangers in Paradise). The exhibition features original book pages and studies, sketchbooks, and videotaped interviews with graphic novelists.

DAVE SIM:
(from The Blog & Mail, 22 June 2007)
Here's a little bright light in the Pariah King Darkness that showed up late in March. The Norman Rockwell Museum in Stockbridge, MA (which has me humming James Taylor's "Sweet Baby James" all day whenever I read it even though I'm not sure if the line is "From StockRIDGE to Boston" or "StockBRIDGE to Boston"). Naturally, being the Pariah King of Comics I smelled a trap when they asked for the loan of High Society and Church & State Vol. 1. Usually in that case it's a set-up. I'm supposed to get all excited that someone wants to exhibit my artwork and then I find out that they just wanted copies of the books to flesh out an "Other Graphic Novels You Might Enjoy" part of the show while the actual artwork that's exhibited is the usual Fantagraphics suspects. So, I basically gave them the Comic Shop Locator number and suggested they find a store in their area who can order the books for them. Then intentionally forgot all about it.

Well, no, they did want to exhibit artwork and they actually wanted to exhibit a fair number of pieces... It is extremely gratifying, given that Norman Rockwell was the Pariah King of Painters most of his adult life, looked down on and sneered at as a magazine illustrator by the likes of Jackson Pollock. Fortunately he had a few years there where people with a lick of common sense could see the difference and actually began to treat him with the respect he deserved all along and, of course, today the ranks of those who look down on Norman Rockwell are probably as thin (but no less vocal) as they've ever been.

Gives a Pariah King hope, it does.


...The back wall of the exhibit was covered with perhaps a dozen (maybe less) pages from Sim and Gerhard’s Cerebus. A huge cover to the first Church & State collection, a number of pages from Jaka’s Story, and a couple pages from later books. Gerhard’s backgrounds are extremely impressive at this size, and I was interested to see how Sim had gridded out the guidelines for his lettering (horizontal and vertical lines, that’s not conventional I don’t think). I also noticed that the wavy panel borders used throughout Jaka’s Story were some kind of pasted on screentone-like substance. Looks like it was put on after the inking, which explains the perfect edge on those panels.

...Several pieces of work from Cerebus creator Dave Sim also found their way into the gallery, including selections from Jaka’s Story, Church & State Vol. 1 and Form & Void. The page that really caught my eye was a spread from Jaka’s Story that featured an almost entirely white winter scene, with a bundled-up child being led away from a solitary, snow-covered bench and playground horse by her equally bundled-up guardian. Neither character’s face could be seen beneath the scarves and jackets, and the field of white in the background dominated the spread and gave the environment a desolate feel.

...There are other seminal works on the development of the graphic novel. One of the best examples is the collaborative work of Canadians Dave Sim and Gerhard. Sim's comic character Cerebus - a corruption of Cerberus, the mythical hound from hell - began in 1977 as one of the first self-published independent comics. It was originally written and illustrated by Sim for the first few years, but he eventually teamed with Gerhard, whose background art became one of the hallmarks of the series. Cerebus' success led to a slew of independent comics in the 1980s and was one of the first running comics to be collected into the modern graphic novel format. On display are panels from Jaka's Story, one of the series many story arcs. The exacting detail in the work - ink on board - as well as the great use of black, white and gray half-tones gives the work a stand-alone, cinematic quality.

Meeting Artists: Dave Sim, Peter Kuper, Howard Cruse, Marc Hempel, and Mark Wheatley all had work in the exhibit and attended the opening. I spent a few minutes and had good conversations with each, during which we said nice things about each other. Dave was great, and Peter and I turned out to have a mutual friend in Editor Charlie (not as big a coincidence as it may seem; Charlie knows everybody). Even artists much cooler, better, and more experienced than I admitted that showing their work in the Norman Rockwell Museum was something of a career highlight, which made me feel a bit less like a freshman at the senior prom.

...I walked back to the main building and met up with the official NR archivist, whose name I can’t recall because it was told to me in a room full of shiny things Rockwell. He led Dave Sim and myself down to the archives and allowed us to look through a few of the hundreds of boxes of Rockwell papers, reference photos and letters. The entire collection is being cataloged and transfered to digital format, a massive undertaking. I saw some wonderful things in there and, as an artist, I can only tell you it was inspiring to get a behind the scenes peek at the man and his methods. We all swapped Rockwell stories, but the archivist had the best stories of all.

...Dave [Sim], Lenny and Jeff T were downstairs with a museum employee and someone that looked like Terry Moore (and yes, later I found out it was Terry). The employee showed us around the Norman Rockwell Museum’s archives, where they host all of his fan mail, articles, magazines with his covers, etc. He stated the pictures had all been digitalized and put into a database, and the originals were in a freezer for storage. Later when I was talking to the museum curator she stated that they wanted to get the database online so others could view them also.

Saturday, 15 December 2012

Toronto Cartoonists Workshop: Comics Lab - Cerebus 'Low Society'

The Toronto Cartoonists Workshop is a learning environment where aspiring cartoonists can study with working professionals. The Comics Lab is a forum where teams of freelance writers and artists are assembled to create and publish a professional comic book. Comics Lab simulates the working environment of a freelancer at a mainstream comics publisher with each freelancer working under the guidance and tutelage of series editor Rob Walton. Each course under the Comics Lab banner will deal with pre-existing characters and concepts thus adding the additional complexity of working with an established property. The winter 2013 version of Comics Lab will feature characters from Dave Sim’s Cerebus.

With the editor acting as mentor and tutor, each writer is asked to submit a minimum of two script ideas for publishing consideration. The editor will then ‘green light’ one of the ideas after which a full script will then be developed. Rough layouts are then created and the storytelling, characterization, continuity and visual dynamics are improved and polished. Artists use the maximized layouts to begin the process of creating completed pencils and inks.

No prerequisite is required however each student must submit sample writing and art pages before being accepted to Comics Lab. Students must be able to adhere to strict deadlines. All prospective students should familiarize themselves with the Cerebus property prior to submissions. More details...

Special thanks to Dave Sim for graciously allowing us to use his characters for this special project!

Where: 587A College Street (at Clinton), Toronto, ON, Canada, M6G 1B2
When:  Thursday evenings 7:00 pm – 10:00 pm, 17 January to 28 March 2013