Showing posts with label Gary Spencer Millidge. Show all posts
Showing posts with label Gary Spencer Millidge. Show all posts

Saturday, 5 September 2015

Correspondence From Hell: Introduction

CORRESPONDENCE FROM HELL
A Conversation Between Dave Sim & Alan Moore
Introduction | Part 1 | Part 2 | Part 3 | Conclusion

Alan Moore: "I Wear The Chain I Forged In Life" (2013)
Art by Dave Sim

The following essay first appeared in Alan Moore: Portrait Of An Extraordinary Gentleman (edited by Gary Spencer Millidge & Smokeyman, Abiogenesis Press, 2003), a celebration of Alan Moore on the occasion of his 50th birthday, and it accompanied a reprinting of Dave Sim's Correspondence From Hell with Alan Moore, which had originally appeared in Cerebus #217-220 in 1997.


DEALING WITH PAGANS
By Dave Sim

Dealing with pagans (as I frequently do) is an interesting business. When Gary Spencer Millidge contacted me about contributing to this publication, he mentioned in his fax that Cerebus is the first comic book that he reads when he receives his fortnightly shipment (Cerebus is the comic book that I write and co-draw -- if you are a feminist forget that you ever heard the name and you can continue to exist in your happy little mythological world). Since it is, by now, common knowledge in the comic book field that I am not a feminist and that I am vehemently opposed to feminism, for anyone in the comic book field to acknowledge that they read Cerebus is a most exceptional circumstance. Owing to the implicitly... expulsive?... quality of feminism, Cerebus has not been mentioned in polite society -- pagan or otherwise -- for some years now. Nor have I. So Gary's observation, for me, begged the question which it immediately raised: is this true? Does Gary read Cerebus (leave aside the question of whether he gives it any amount of priority)? Or is there some manner of pagan chicanery afoot? Is he (let's be completely indelicate here) in Alan Moore's thrall? I ask this because Gary's communication had been preceded by another from a fellow in New Jersey, enquiring if I had in my possession an Alan Moore script which had been sent to Gerhard (Gerhard does the backgrounds on Cerebus and we jointly run the company) (I would say we're partners, but that, unfortunately, bespeaks a different connotation these days) and myself some years ago when Alan and Neil were talking about doing a joint anthology title and which he wished to publish in a volume celebrating Alan Moore's 50th birthday (this same volume? Or are we about to be inundated with books celebrating Alan's 50th as we were with "Princess Diana Tribute" books five years ago?). Neil Gaiman had, evidently, mentioned to this fellow in New Jersey that Alan and Neil had jointly concluded that the copy of the script which we had been sent was the only copy of said script in existence. Neil didn't have a copy. Alan didn't have a copy.

Now, I ask you, exactly how likely is that?

Pagan stories always... "sound" funny in exactly this way. Like a Neil Gaiman fairy tale. (lilting musical voice) "And there was only one copy of the story in all the lands and all the world and by the strangest of chances it came about that the story had fallen into the possession of a Deluded Acolyte of the False and Wicked Judaic, Christian and Islamic God Who Doesn't Believe that Abortion is a Virtue."

You see what I mean? Wait, it gets better.

Coincidentally, there had arrived in the same day's mail as the envelope from the fellow in New Jersey another envelope containing an ad slick for (I swear I'm not making this up) a collection of stories which had won an "L. Ron Hubbard Writing Competition" -- said ad slick containing a nice, big quote from Neil Gaiman about what a jolly good show it is that a science-fiction writer who founded his own religion -- er -- "religion" -- had indirectly produced such a volume of great writing. And which also contained a very nice cover letter from someone in California saying what a jolly good show it would be if I ran the ad in Cerebus. To which I could only reply (albeit only mentally -- I see no need to get stuck, however cosmetically, in the tar baby that is the spiritual residue of whatever L. Ron Hubbard has left behind in this vale of tears) that it would be an equally jolly good show if the earth's core were to turn to permafrost. Alas, life does hold its little disappointments for us all, doesn't it?

The fellow in New Jersey had interviewed me some years ago on behalf of another (I am coming to suspect) pagan publication and mentioned in his letter that he found himself "having to" contact me again. In a letter from someone representing Alan Moore (however indirectly) the phrase "having to" does tend to jump out at you, having the "whiff" about it of someone being compelled to discharge a completely unpleasant but unavoidable duty. That part, at least, rang true. In pagan society I can well imagine that having any manner of contact (however fleeting) with Dave Sim would be considered an unpleasant duty which would be undertaken only if it was completely unavoidable. Or perhaps the fellow is merely a feminist and has picked up his aversion to Dave Sim by that brand of osmosis which is peculiar to the politically correct and which is the only discernible means by which they arrive at their political opinions. Like sheep with scrapie: if one of them has the opinion, they all have that opinion.

Anyway, I found the script right where I had left it in my "don't under any circumstances for one second lose track of where this is" drawer next to my drawing board. Swiftly, I put it in an envelope and mailed it off to New Jersey guy within minutes of receiving the letter. Didn't want Neil's fairy story to have an unhappy ending. "And the Deluded Acolyte of the Wicked God Who Doesn't Believe Abortion is a Vitue returned the story to the Brave and Noble Necromancer and he and all the children celebrated by spending the night raising the spirits of the dead from out of the earth including Princess Diana because her grave was just over the road a ways from the Necromancer's house and because all the children, of course, loved Princess Diana. The. End."

I mean, it as Alan's script. He wants it back, he can have it back. What am I going to do? Pour holy water and sacramental wine on it?

Anyway, it was a couple of days later that I got a fax from Gary. Not enough time for the script to actually make it to New Jersey, but that really has nothing to do with how, you know, pagan stuff works. "Space and time are mere uni-dimensional extrapolations of the earth-bound three-dimensional limits possessed of the blahdy-blah-blah-blah, etc." I mailed it and, presumably (in doing so) had passed some pagan test or other. "...for on the third day, there came unto the Deluded Acolyte a fax. And the fax sayth unto him..."

So, okay. I have a bit of a problem. I would like to contribute something to Alan's birthday celebration but pagans are like homosexuals and feminists and socialists (most of them are homosexuals and/or feminists and/or socialists, but let's leave that discussion for another time). You support the idea that they shouldn't be hunted down and shot or burned at the stake or drawn or quartered or made a public laughing stock by contrasting their viewpoints with reason or commonsense (broke the last one myself which is how I've ended up outside of the comic book field looking in), and the next thing you know, they're running around telling everyone that you're a closet homosexual or a closet feminist or a closet socialist or a closet pagan -- "HE'S ONE OF US! HE'S ONE OF US! I KNEW IT! I KNEW IT! HAHAHAHAHAHAHAHAHAHA!" As with most of my dealings with people these days, it's a lose-lose proposition. Reinforce their viewpoint that everyone and everything is interchangeable -- that Dave Sim is secretly one of them but is just going through a... phase... or some Freudian or Jungian closet homosexual / closet feminist / closet socialist / closet pagan... trauma... or other -- or decline to participate and be accused of being, well, I don't know "The Antialan" or something.

Well, where angels fear to tread:

So, anyway, this is a dialogue/correspondence which Alan and I conducted by fax (at my instigation) and which I published in the back of Cerebus (issues 217-220) a number of years ago after the last instalment of From Hell had been published (to very little -- which is to say no -- fanfare. A fact which irritated me since at the time -- as I do today -- I thought that From Hell was a high water mark for the comic book medium, a graphic novel in every sense of the word, mature majestic, sweeping , beautifully conceived, beautifully realised and, consequently, of virtually no interest to the comic book industry. I thought that devoting vast amounts of space to a discussion of it in the back of Cerebus in four consecutive issues was the least that it deserved. And which, unfortunately, was about all that it got.

In retrospect, to me, the most memorable part of our exchange came when I asked Alan a question about morality -- that is, right and wrong -- and he answered the question by talking about talking backwards and how everything is the same backwards as it is forwards. Which, of course, isn't true. Right is always right and wrong is always wrong even when we are unable to perceive the distinctions between them accurately.

You know, it occurs to me that it would be really nice if, as a 50th birthday present, I could just type "IN THE NAME OF ALMIGHTY GOD COME OUT OF ALAN, THOU VILE AND ACCURSED." And have it work. Just like that when Alan read it. But, alas, I don't think demonic possession -- at least of the sort that Alan seems to have involved himself with -- works that way. As the Synoptic Jesus found out (I suspect) very much to his own chagrin as he went about casting unclean spirits out of people. You can cast them out, sure, but... "When the uncleane spirit is gone out of a man, he walketh through dire paces, seeking rest: and finding none, he sayth, I will returne unto my house, whence I came out. And when hee commeth, hee findeth it swept and garnished. Then goeth he, and taketh to him seven other spirits more wicked then himselfe, and they enter in, and dwell there, and the last state of that man is worse then the first." It's interesting to note that even though this verity of Jesus' (Luke 11:24-26) was about a man, he seemed to have struck a... feminist?... nerve; "And it came to passe as hee spake these things, a certaine woman of the company lift up her voice, and said to him, Blessed is the wombe that bare thee, and the pappes which thou hast sucked." I suspect this "certaine woman" was Mary Magdalene out of whom Jesus was said to have cast seven devils. You know what I mean? Early prototype of the mouthy feminist? "And hee said, Yea, rather blessed are they that heare the word of God and Keepe it." Yes, exactly. And so much more eloquent than "You are SO busted, Mary."

Oh, sorry. Forgot where I was. Anyway all of Alan's words are in a non-italic typeface. So, if you're a pagan simply read all of the non-italic blocks of type skip over all of the italic blocks of type. My apologies to Gary Spencer Millidge for "outing" him as a Cerebus reader (note: he never said he liked Cerebus -- no one would be so foolish as to say that, publicly, in out Feminist Age -- he just said that he read Cerebus) and...

Happy Birthday, Alan.

Next Sunday: Correspondence From Hell Part 1


by Alan Moore & Eddie Campbell
Available from Top Shelf / Knockabout Comics

Sunday, 9 November 2014

Gary Spencer Millidge: Meanwhile...

Meanwhile... #1
£4.95/$7.95
On Sale: October 2014

GARY SPENCER MILLIDGE:
(from the Strange Maven Blog, 12 September 2014)
Just to recap, in case you haven't been paying attention, Strangehaven is returning in all-new stories as part of a new (technically revived) ongoing British anthology book called Meanwhile… (complete with those three little dots at the end)... It will be a 52-page 'golden-age' format comic book (i.e. a bit wider than your usual comic), containing a mixture of colour and black and white strips. There's a sixteen page episode of Strangehaven which follows on from issue 18 of the regular series (or from the end of Conspiracies if you've followed the series in collected form), as well as a new continuing series from the excellent team who brought you The Man Who Laughs, David Hine and Mark Stafford. There are also contributions from Chris Geary, Yuko Rabbit and Sally Jane Thompson...

(Click image to enlarge)
via Facebook, 3 November 2014

GARY SPENCER MILLIDGE:
(from an interview at The Sardinian Connection, 27 October 2014)
...The whole of the book was plotted out some time ago. After finishing issue 12 - which completed book two - I decided that Strangehaven would be a four book series, even though I didn't publicly proclaim that at the time. So I sat down and plotted out the next two books, and I've been working to that template since. There have been tweaks and adjustments over the years, but I wanted to remain true to my original vision for the series. Even though there's been no Strangehaven published since 2005, it's never been off my desk. Even while I've been working on other things, I've been pulling together bits of information and collating all the visual research required, experimenting with modifications to my rendering techniques and so on...

Sunday, 23 February 2014

Alan Moore: A Biographic

Extract From The Revised & Update 16-Page Biographic
"Alan Moore: An Extraordinary Gentleman"
(Free download, only from the Sequential iPad/iPhone App

GARY SPENCER MILLIDGE:
(from the introduction to the Alan Moore Biographic, revised 2013 Sequential Edition)
Alan Moore: An Extraordinary Gentleman was originally created in 2003 for a tribute book compiled to celebrate Alan Moore's first fifty years on the planet, which I published and edited in conjunction with the Italian publisher Black Velvet... I thought that the book needed an overarching introductory sequence of some kind. And rather than just a mere text biography that would provide some context for the rest of the book, I decided to map out the essential events in the life of Alan Moore in a comic format, using images from his own comics to illustrate his journey, literally and metaphorically. Like the book itself, the 'biographic' grew from four pages to eight, and finally to twelve. Alan Moore: Portrait Of An Extraordinary Gentleman was a great success, selling out of two substantial printings in super-quick time and raising over $36,000 for its chosen causes.

Skip forward to 2010 when I was invited by Tim Pilcher, a commissioning editor at Sussex-based publisher Ilex Press, to write a lavish 'visual biography about Alan Moore. Believing  that I had already done much of the groundwork necessary some years earlier, I foolishly agreed. That book became the Harvey Award-nominated Alan Moore: Storyteller. Upon completion of the new book, it was suggested that perhaps my original strip Alan Moore: An Extraordinary Gentleman could be included, reproduced in colour for the first time in English, as a bonus supplement to the UK edition.

However, after a short review of the material and armed with a vast quantity of new and accurate knowledge culled from nine months of intense research, study and investigation, I realised the full extent of the errors, falsehoods and unsubstantiated information that it contained. So the decision was made not to proceed with the idea, and the strip has continued to remain in limbo until now...

Gary Spencer Millidge is a graphic designer, illustrator and writer. He is best known for his self-published Strangehaven comic book series, and his books Alan Moore: Storyteller and Comic Book Design.

Sunday, 4 March 2012

Recommended: Strangehaven

DAVE SIM:
(from the introduction to Strangehaven Vol 1: Arcadia, January 1998)
It is so very rare, you see, when you are in the business to find a story that can absorb all your attentions when it arrives in the mailbox. So very rare to find a story where you can just drop right back in and pick up the thread of the story and find out "what happened next" -- knowing full well that the author is going to raise more questions than he answers in the course of the current instalment. Or maybe trade you one-for-one as reader. For every answer you get another question. To me, anyway, those questions are far more interesting and far more intriguing than any questions I might have of what goes on behind the painted scenery and what everything and everyone was before Gary made it his own in the pages of the book you are about to read.

Strangehaven Vol 1-3 by Gary Spencer Millidge is available to buy from Top Shelf Productions.

Saturday, 3 March 2012

Sim's Legacy

Sim's Legacy: An Appreciation by Gary Spencer Millidge
Strangehaven #16 (June 2004)


DAVE SIM:
(from a letter to Gary Spencer Millidge dated 18 June 2004, reprinted in Dave Sim's Collected Letters Vol 2)
Dear Gary,
Well, I got the latest issue of Strangehaven and I have to tell you that one of the entertainments I most look forward to is your annual "how this year slipped out from under me, this time" editorial and text pieces. Your description and illustrations of the Simpson's contribution you provided for Bart Simpson's Treehouse Of Horror was particularly engaging in this regard: Now, he not only spends a lot of space telling us why he's late, he even shows us examples of it. I mean, that was one of the things that always kept me on the monthly straight and narrow. Any sign that I did anything else if I was late and I'd think the backlash is going to kill me and the book. Of course, you're a lot closer to reality than I am, I think. People just take it for granted that comic books are late in the same way that no one expects a rock band to come on stage remotely close to 8pm because that's what it says on the ticket.

So imagine my surprise as I start from the back of the book and then come across your full-page tribute to Cerebus. Absolutely amazing and, of course, Ger and I are both very, very grateful for your kind and extravagant words on our behalf and on behalf of our work.

My first thought was I only hope there isn't a backlash against you for breaking so dramatically from the prescribed comic-book party line which allows only for reactions on a narrow spectrum between outright shunning on the one side and damning us with faint praise on the other. My second thought was, "Oh, well, even if there is, I won't find out about it until next year at this time."

All kidding aside, I am very pleased with what you wrote and look forward to bagging and boarding it for the Publications section of the Cerebus Archive.

Thanks again.

Strangehaven Vol 1-3 by Gary Spencer Millidge is available to buy from Top Shelf Productions.