Showing posts with label Bill Sienkiewicz. Show all posts
Showing posts with label Bill Sienkiewicz. Show all posts

Monday, 1 June 2026

I went and did it and it can't never be undone...

Hi, Everybody!

NEXT week Friday (June 12th): $49 sale:


Go nuts! (It's not gonna be $25CAD until ten days later...)
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As we do:

Mondays! 
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Well, I THOUGHT I'd be working on Please Hold For Dave Sim, based on the numbers I was given by Eddie, but no dice:
As Eddie said to me:
'82 Tour Diary won.
Ps I missed a $80 donation for '82 earlier in the month, so there was "Wrong Amount" on the "Wrong Math" correction posted last week. Please schedule me for the make-up exam. Thanks
No worries Eddie, as Barbie so famously observed, "Math IS hard!"

So, I guess I'm working in '82. Speaking off, Birdsong found a "better" version of the Sienkiewicz pages Dave wants to use:

Click for biggers.

And eluding to Please Hold, I done it:

I went and got my Dave Sim Form & Void lettering tattoo. (I "frankensteined" the letters from ALL the Swahili Dave did in Form & Void:
Click for bigger.

which I will gladly share a big ol' copy of to any other maniac who wants a "Dave's Swahili lettering" tattoo...)

The artist, Nick, who did it, asked if I wanted solid black or not, I chose just hatched. Steve Peters said it gives the design a Gerhard-y vibe. I concur.

Speaking of Steve, Friend to the Blog, James Banderas-Smith has started a Jam Sketchbook for Dave. He went first, then Steve got second, and I got third:
I did "Pink" Floyd...

I chose to add to James inside piece instead of starting a new page:

Gosh I'm funny...

And here's Steve doing his piece:

Next it's of to April C. aka @Creative_Fey.

Next Time: Jen shows off her sketches of Bill Sienkiewicz's tattoos... wait a minute...

Saturday, 10 January 2026

Please Hold For Dave Sim 1/2026

Hi, Everybody!

It's that damn time again:

Audio for the people who DON'T think Spotify is fuckin' garbage (you poor bastards...):
#FuckSpotify

Video for the people who understand how this thing is supposed to work:

Part 0: I "cut 'em off at the pass", and Dave gets indelicate...

Part 1: Dave discusses the latest Tales From the Wedding Present annual he got from Lee Thacker
Part 2: Will Gray wanted Dave's thoughts on a Ernest Hemingway photo and the caption posted with it

Part 3: Dave got a Christmas card from David L. Russell

Part 4: Dave discusses Christoph McNeill's 2010 Bill Sienkiewicz commission of Cerebus

Part 5: MJ Sewall has a question about Dave and...rulers?

Part 6: Larry Wooten has a question about a con sketch he acquired
Part 7: MJ Sewall has a question about Denis Kitchen's involvement in Susan Alston's Dave Sim's Last Girlfriend. And I remind Everybody about my "relationship" with Denis Kitchen
Part 8: April Cooper (AKA Creative Fey) has questions


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Like the logo? I stole it...








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Friend to the Blog, James Bing-Bong-Shama-Lama-Ding-Dong Smith has a new Papa Balloon and Cactus Comic on the Kickstarter.

And, coming in February, The 1982 Tour Book (click the link to be notified on launch).
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The Help Out Bill Messner-Loebs Go Fund Me, or buy Rodney Schroeter's book with proceeds going to Bill. OR(!) you could buy Bill's book with the Dave backcover. I have discovered links:
Wanderland (Paperback)
Wanderland (Hardcover for the guys who get "hard" for hardcovers...)
Wanderland (Paperback but slightly more expensive...I dunno why...)
The site offers UK shipping, so PRESUMEABLY it's printed and shipped there(?).
And Journey Complete:
Hardcover
Paperback
And if you wanna see how the book looks in Real Time...

Over on the Facebookees, Mike Jones shared that Dave has a five SEVEN page Strange Death of Alex Raymond story in YEET Presents #68. Mike Jones still has 30 copies of the second printing available, ya gotta back them on Patreon to get it.
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Larry Shell could use a hand to keep his house.
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Dave also wanted me to post this:

Lots of little words, click for bigger.
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Up to 35% off January 11-18 and January 28-February 1.*
*Sale dates are not final and therefore subject to change.

Speaking of Merch, if you want a strange near-antique, shoot an email to momentofcerebus@gmail.com, and I'll tell ya where to send the $20USD I want for these. No shipping charge in the States or Canada. Everybody else add $10USD for shipping. I'll send 'em anywhere the postman is willing to go...
Back and front.
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You can get all 16 volumes of Cerebus, many of them Remastered for $99CANADIAN at CerebusDownloads.com (More if you want the Remastered Cerebus Guide to Self-Publishing...)
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Heritage has:
  • The original art to Cerebus: the Six Deadly Sins Cover, Avarice, and Gluttony? Why doesn't Dave have this? (Coming soon)
  • Cerebus #81 page 11 (coming soon)
  • Cerebus #81 page 12 (coming soon)
And ComicLink (remember ComicLink? Seiler brought us ComicLink. R.I.P Jeff.) has:
Thanks to Steve for sending the links. 
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Oliver' Simonsen's Cerebus movie: The Absurd, Surreal, Metaphysical, and Fractured Destiny of Cerebus the Aardvark it's currently available on "Plex", "Xumo", "Vimeo On Demand", "Tubi". If you're in Brazil..., "Mometu", "Nuclear Home Video".
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Next Time: I might dip into the AV Family Photo Album...

Friday, 19 November 2021

Comicverse: Subspace Chatter #3 (Dave's Weekly Update #417)

 Hi, Everybody!



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Heritage, they got a bunch of neat Cerebus stuff.
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Cerebus in Hell?:
There're new ones, but since the preview video isn't gonna be up until next week, I'll run them tomorrow (okay?).
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Up to 35% off site-wide:
November 19 – 21
November 23 – 30
Black Friday and Cyber Monday sales will be running:
November 26 – 29
Tell your fans! Remind them that everything will be up to 35% off -- that means $13 tees, $20 phone cases, $30 hoodies, and way more!
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Next Time: Things! So. Many. WONDERFUL(!) Things!

Saturday, 9 January 2021

Please Hold For Dave Sim 1/2021

Hi, Everybody!

It's that time of the month again.

Uh, no, not that one. First Saturday of the Month.
Please Hold For Dave Sim time:

Audio portion:

 

And now for the Video portion:

Part one: Dave doesn't answer a single question I sent him. Instead he talks about Cerebus in Hell? books and when the Waverly Press told him the Regency Edition of High Society is gonna be released.


Part 2: Dave answers David Hartman's question:
Am I the only one who thinks that this would be more viable as a t-shirt?
And then Margaret Liss gets more than she asked for when Dave answers:
DC Bulletins vol 1 #1
ad for now & then times, did dave do the art for it? there is no signature that I can see, nor a credit for it in the issue.

Part three: Dave answer's Margaret's question:
Poster of cover to #53 - one version just has the art, called "Countess Michelle Poster". Another one has the art plus text in red 'Like No Other Comic'. I’m thinking the like no other comic was sent to comics shops, but what about the no text one? And which poster come first.
Comments on facebook:
1. perhaps the Countess Michelle poster was the one that came with Newsletter #10?
2.Someone got a copy of the Countess Michelle poster at a signing you did in
Click for bigger
Ditto.
I probably had more, but I forgot. Plus Dave did a two parter with the page from the notebook I asked about. Thank you Dave for that!



Part Four: Jeff Seiler has a phone in question, that Dave answers, then he answers Jeff's second question:
First question for Dave for this month: Dave, you wrote, in FC #6, that "aardvarks ... were a dramatically rare occurance. Of course, much later on, I realized that this had much in common with prophethood, which likewise occurred spontaneously ... and which I see as being a core element of God's overall plan: That the actual nature of individual beings is decided by God alone, that each soul is individual."

So, was Cerebus' life and adventures and misadventures a case of free will or was it God's or Tarim's or your plan?
I said to Dave in my fax of questions:
(Palnu odds are that your answer is “Highest level God’s Plan. Lower level Dave Sim’s plan. Lowest level Cerebus’ free will.” New Sephran odds: “That’sa fine question. We’ll get to it after lunch. Where’s my linguini?”…”)
Part Five: Michael R. (Easton, Pennsylvania’s most famous son…) asks:
Hi Matt!
Happy New Year!
I hope you had a GREAT vacation and well rested for 2021.
Questions for Dave.
Hi Dave!

Last month's " Please Hold …" you talked about receiving $10,000 from a female SDOAR fan encouraging you to continue with the book. And you had. Slowly.

My questions are:
1- Are you writing and creating new mock ups just to satisfy the one REALLY generous fan or are you REALLY motivated to get the ball rolling and legitimately try to finish SDOAR?
2- Isn't going to be weird that Carson has a finished book published (very soon I've read, too) and you are still attempting to finish SDOAR (I'm thinking) with you're ending?
3- Will Eddie Khanna get a little kick back from the $10,000 ? If only to offset his personal expenses getting SDOAR Vol 1 FE to the 123?

All the best,
Michael R.
PS--- I happen to own The New Mutants graphic novel, 1-31, 38 and the Special Edition #1. I haven't seen The New Mutants movie but I think Claremont/Sienkiewicz stories are touched upon in the movie. I read a brief synopsis of the movie and this is what I read, "Five young mutants, just discovering their abilities while held in a secret facility against their will, fight to escape their past sins and save themselves".

In the comic the only "secret" facility was in Massachusetts where the White Queen ran her own school of "new mutants " called The Hellions. I'm guessing that the story is kinda based on that scenario, but I could be wrong.

Fun facts from the issues I read---
1- The New Mutants were created by Chris Claremont and Bob McLeod. I met Bob in 2019 at the P-Burg Comic Con in New Jersey. I found out he doesn't live too far away from me. I had a great conversation with him. He signed some books and I got a selfie with him holding the New Mutants graphic novel which he personalized for me.
2- Diana Schultz ( you might remember her) was a consultant for issue #10 December 1983. This was the only issue she "appeared" in.
3- S'ym appeared and cameoed in 4 issues.
a- #14 April 1984 (Sal Buscema art)
b- #17 July 1984 (Sal Buscema art)
c- #29 July 1985 ( Bill Sienkiewicz art)
d-special edition #1 1985 (Art Adams art)
4- I met Bill Sienkiewicz at the Words & Pictures Museum in Northampton, Ma on 11/08/1997. I believe the museum was celebrating Heavy Metal's 25th anniversary. You were there , too. The reason I drove from Queens, NYC to Words and Pictures was because you were going to be there. You sat between Will Eisner and Stephen Bissette.

I also met Kevin Eastman and his wife Julie Strain. Julie was dressed up as Vampirella. She must have stood at 7 and a half feet tall with high heels. I also met Berni Wrightson, who signed my friends Frankenstein book.

I had brought some stuff for you to sign and the others ( maybe a few other people that I had forgot about) except Will Eisner. I'm not sure why I didn't bring with me A Contract With God. We had a brief conversation about it. Very gracious and humble. I then moved probably 3 steps to my right and you were right there. You signed everything that I brought, bought and received for free that day. I even got a sketch. I had Tyrant for Stephen to sign. It would be the only time I would meet Will.

I had Grace and a camera with me that day but we didn't take one single photo.


As you've just seen, Dave has "issues" with Michael's recollection. First person to find the backcover Dave was talking about and sends it in to momentofcerebus@gmail.com gets a Cerebus in Hell? rarity, either Batvark: PENIS (Virgin Cover), Hermann #1 (HRM Edition), or the misprinted Cerebus in Hell? 2021. (Their choice.) ((the later two signed by Manly Matt Dow.))

Part Six: Special Friend to the Blog: Jesse Lee Herndon asks:
Hello Dave,
Just to let you know, and for A Moment of Cerebus listeners/readers, I have resumed transcribing all the past "Please Hold for Dave Sim" recordings. Matt will probably never have a day on the blog slow enough to ever post any of them, but they're almost all done, even the Steve Swenson, Carson Grubaugh, and Wilf Jenkins interviews. Similarly, shameless plug #2, I have resumed my Cerebus Fan Award-winning daily review Youtube videos of Cerebus, having just begun "Form & Void". There will be a Dave Sim & Cerebus dance party at the end of one of the upcoming episodes, I just haven't decided which one yet, perhaps for issue 300's, which will be, God willing, on February 22nd, my birthday. It only took me 5 years to do it!

Okay, for questions, I was wondering, was Bran Mac Mufin in "the light" during issue 300? There's a Pigt barbarian, but I don't recall if you've ever said definitively if it was him or not. I know in Bran's case, suicide meant being doomed to repeat life, but Ham was there too, and he did kill himself (unless he got off on a technicality due to Mary's involvement).

Since I'm not being morbid enough, how do you figure the Roach died? Is this one of those "his life ended with a whimper and not a bang" type things that seem to have been the case for so many characters (and so many people in life)? His ending during "Mothers & Daughters" was pretty definitive for him as a magical being, but then he popped up just fine as FanRoach in "Guys". I do suppose if you're ever in the market for another spin-off, "The Strange Deaths of Cerebus Supporting Characters" could be fun (Silverspoon: finally eaten by those cannibals. Mrs Henrot-Gutch: crushed by a squeaky wheel).

Speaking of spin-offs, is Cerebus In Hell? the same project as "Cerebus: The Afterlife", which you mentioned in a newspaper interview you did circa the Last Signing in 2010?

Would issue 300 of "Glamourpuss" have ended with glamourpuss falling out of bed and breaking a nail? Oh, ha ha. I keed.

Take care,
Jesse Lee Herndon

And Part Seven: where we discuss this month's strip, which I explained in my fax to Dave:
The strip needs a little explanation. Steve Peters is running a Comicverse storyline called the “Sin Kevitch Challenge”. And asked if I wanted to contribute. I said sure, not really knowing what the challenge was.

Apparently, Bill Sienkiewicz shared a picture of himself he took as reference for a comic last year, and it went viral with people using it as a pose for their characters, or just adding text to make fun of Bill.

So I asked Steve to send me the photo so I could attempt an Iguana VS Beer version.

Bill was…um… “au natural” in the pic (edited to cover his “Sin Kevitch”…).

And when I printed it out, I knew it was gonna be in this month’s Please Hold Strip…

And my strip for Friend of the Blog: Steve Peters:
Click for WAY too bigger...

More from Steve here: https://thecomicverse.wordpress.com/2020/11/26/sin-kevitch-challenge-page-1/https://thecomicverse.wordpress.com/2020/11/26/sin-kevitch-challenge-page-1/

Rigamarole:
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Carson is Auctioning off Strange Death of Alex Raymond art. Current bid is $50 (USD!) to Jeff Seiler.
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https://www.cerebusoverload.com, 10% off with code "2021" at checkout. 
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Your store will be on sale:
Jan 13 – 16
Jan 27 – 29
Tell your fans! Remind them that everything will be up to 35% off! That means $13 tees, $20 phone cases, $30 hoodies, and way more.
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Anyway, I'm selling something on the eBays. A big bundle of "rare" Cerebus in Hell? comics, including a copy of Vark Wars and Vark Wars: Walt's Empire Strikes Back that I took with me on vacation so they've been to Star Wars: Galaxy's Edge.
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Next Time: Oliver's column...

Friday, 20 December 2019

Forbes interviews Bill Sienkiewicz (Dave's Weekly Update #318)

Hi, Everybody!

Heeeeeere's




Darrell Epp
The Silver Cerebus

And Friend to the Blog, Greg Hyland is running the next volume of The Monster Atlas on Kickstarter.

And then:

The Varking Dead


Next Time: A Cerebus Fan Gift Guide...(Send the link to your friends and family)

Monday, 4 September 2017

The Merely Magnificent... Moon Knight!

Moon Knight
Art by Dave Sim
(Marvel Fanfare #25, March 1986)

Friday, 18 August 2017

Apologies To Bill Sienkiewicz

Cerebus #39 (June 1982)
Art by Dave Sim

DAVE SIM:
(from Note From The President, Cerebus #74, May 1985)
Sincerest apologies to Bill Sienkiewicz whom I forgot to mention anywhere in Cerebus Jam #1...

My admiration for this man's work prompted me to render the cover of #39 in the Neal Adams style he was doing to perfection at that time in Moon Knight. I used a reverse Neal Adams signature parody on that cover.

The irony of doing a parody of Neal's signature as a tribute to Bill Sienkiewicz escaped me at the time. This issue I stole Bill's own very distinctive signature for the cover as a tribute, not to his ability to do a faithful and spontaneous variation on a seminal influence (it makes sense, I think, read it again) but rather for his own role as a seminal influence for a new generation of comics professionals (and aspiring professionals). As probably the single greatest influence on my thinking at this juncture of our storyline (page fourteen of this issue is page 1,500, by the way) such a tribute was long overdue. A brilliant, brilliant individual and my closet friend in the field (after Gerhard)...

Cerebus #74 (May 1985)
Art by Dave Sim & Gerhard

Diamond Order Code: OCT140536

Thursday, 28 January 2016

Weekly Update #119: A Phone Call From Bill Sienkiewicz


Dave gets a phone call from Bill Sienkiewicz! He also gets one from a Czech company trying to reprint Teenage Mutant Ninja Turtles. Also, an update on Cerebus Archive Number Four.

Monday, 18 January 2016

Comic Book Greats #5: Bill Sienkiewicz

Art by Dave Sim
(Glamourpuss #9, September 2009)

DAVE SIM:
(from 100 Internet Tour at Comic Book Resources, Febuary 2008)
...when I brought up Bill Sienkiewicz's STRAY TOASTERS at lunch the one time and you'd think I'd shot somebody's dog from the way Seth, Chester and Joe reacted. I reread STRAY TOASTERS at least once a year. It's confusing as heck but, for me it has some amazing moments... but then I like the illustration schools represented in there and what Bill is trying to do (or what I think Bill is trying to do). The use of flat colour in the lettering and the caption boxes which puts everything on TOP of the actual art. That's pretty breathtaking for me as an artist who is known as an innovative letterer. I take my hat off to anybody who can introduce a whole new way of doing work. Dave McKean came out of that. Thematically the SANDMAN covers are Sienkiewicz. Even if it's not your cup of tea, it's nothing to act as if liking it is the same as shooting someone's dog. GASOLINE ALLEY has very, very little to offer me, but I would never call it s--t...

Saturday, 16 May 2015

Aardvark News Round-Up #2

Gerhard's The Walking Dead
Over at Gerz Blog this week, Gerhard posted the above stunning variant cover for The Walking Dead:
"I was asked to do the exclusive variant cover for the Wizard World St. Louis edition of The Walking Dead... (any Cerebus fans recognize the sunset?)... and there will be a black & white variant edition as well... These will be available at the Wizard World St. Louis show, also coming up soon."
Gerhard's limited edition cover will only be available to attendees at the Wizard World St. Louis con to be held on 22-24 May. VIP attendees also receive an additional black & white sketch version of the comic.


Neil Gaiman: Thinking Of Metal Bikinis
Game developer Larin Studios took some flack this week for their game Divinity: Original Sin. News site Games Skinny reported that: "...gamers were less than pleased about the advertising art for one of the characters: Scarlett. Scarlett had been decked out in the RPG worlds favorite piece of female armor: the metal bikini. And possibly no pants or underwear. From the image, I'm not actually sure where her underwear would go." The back-lash forced Larin Studios to redesign her costume, and prompted a tweet from Neil Gaiman invoking Red Sophia in Cerebus #10:

Bill Sienkiewicz: Ask Me Anything
While promoting his latest project H8 Society with an AMA session over at Reddit this week, Bill (Elektra Assassin, Moon Knight) Sienkiewicz was asked for his thoughts on Cerebus:
"Dave's an old friend. I think Cerebus is one of the greatest accomplishments in comics, not only as a work of art, but as a commitment to a vision."

Jeff Seiler: Dave & Me
Jeff Seiler has been busy tweeting exerpts from letters he has received from Dave Sim over the years. Here are a few examples to whet your appetite from letters Dave wrote back in 2004:
"If it wasn't for missing prayer times, I seriously considered getting a job after I was done Cerebus. No usable job skills, no recommendations from previous employers and I'm just this side of 50 years old. So, I figure washing floors or dishes would probably be about it and it would probably take me 5 tries to get in on the ground floor there."
"That's what I always think about when Gerhard says that he doesn't know why anyone would be interested in the piles of crap I'm carefully sorting through." [This was a reference to Dave and Ger organizing the Archive, back in '04.]
"As you'll find in The Last Day annotations, I was less concerned with who was or wasn't in the light than in the larger point that virtually everyone Cerebus knew was there, emphasizing the 2:98 neutrino ratio from [issues] 289/290. Yes, I did decide to leave Bran Mak Mufin out because of his suicide (and left Ham in because it was murder, in my You never hear about suicides who are rescued from the brink of death having the same near-death experience with the light and all that."
"Well, yes, the tunnel of demon heads and skulls from the end of 'Church & State' could be seen as a kind of "anti-light" tunnel. There are a lot of physical metaphors for the same things throughout the story. I knew that was where I was headed for."

1970's Cerebus Stuffed Toy
I don't normally feature eBay auctions on AMOC but the current auction for the little fella above took me aback. The current bids are already over $500. Yikes! Is that some kind of record? If you can't live without your very own Cerebus, you'd better hurry. That auction ends today.

Update from Margaret Liss:
It isn't a bid that is over $500, it is the 'buy it now'  feature that is at $519.99. There is no way that will sell at that price. While the dolls are rare, it isn't nearly worth that much. This is the 16" version, which is the 2nd version of the dolls,  and is more common from what I've seen. The smaller, 12" version with longer snout, is more valuable. However, I would say neither is worth $519.99.

Friday, 3 April 2015

Bill Sienkiewicz: The Alex Raymond Connection

BILL SIENKIEWICZ:
(via Facebook, 31 March 2015)
Small world/Quantum entanglement/ Dept.

...so I tell the realtor I'm working with that I draw comic books, leading to a far stranger conversation than the sort that usually occurs when this info is given (ask any comic pro. the response of most folks these days is 'intrigued/interested' - a far cry from the blanket disdain of decades past).

Turns out he's the son of the woman Alex Raymond was involved with when Alex committed suicide in Stan Drake's Corvette, nearly taking Stan with him. He remembered Alex being a dapper man, who drove a gull-wing Mercedes (Comic Strip Royalty=Scrooge McDuck Money). Alex's wife would not give him a divorce, and the rest of what happened is in my opinion, the defining chapter of Comic Strip Babylon. The realtor recalls his mother's understandably devastated reaction when she learned of Alex's death. She was dressed up to go out for the evening...

NOT the conversation I was anticipating...

...to stretch a metaphor, it's the comic strip equivalent of knowing people who witnessed James Dean's crash first hand (I didn't say it was a good stretch, but mostly in terms of the 'ripple-effect' it had in that world). Alex and Stan were pretty big (Alex probably more so) in NYC social circles. So it was a big deal in NYC let alone Westport. I might've told you Stan was absolutely convinced Alex was trying to take him with him, to make it look like an accident so his widow would get the insurance, an incredibly tortured man. Even more, Westport was definitely a hotbed of strange-ass stuff Artist-wise then; like Woodstock with Lockjaw. And when I would drive the length of road where the accident occurred, it's pretty revealing. The road is tailor made for insane acceleration...

Bill Sienkiewicz is the Eisner Award-winning artist/writer best known for Moon Knight, New Mutants, Stray Toasters and Elektra: Assassin.   

Help finance Dave Sim to complete 'The Strange Death Of Alex Raymond' 
by making a monthly donation at Patreon.

Originally serialised within the pages of the self-published Glamourpuss #1-26 (2008 to 2012), The Strange Death Of Alex Raymond is an as yet uncompleted work-in-progress in which Dave Sim investigates the history of photorealism in comics and specifically focuses on the work of comic-strip artist Alex Raymond and the circumstances of his death at the age of 46 on 6 September 1956 at the wheel of fellow artist Stan Drake's Corvette.

Friday, 20 February 2015

Bill Sienkiewicz's Cerebus

Cerebus (2015)
Art by THE Bill Sienkiewicz!

(via Margaret Liss, The Cerebus Fan Girl!)

Saturday, 1 March 2014

Bill Sienkiewicz's Moon Roach

Convention Sketch
By Bill Sienkiewicz & Dave Sim
FPI BLOG:
(from The Art Of Bill Sienkiewicz, 2 November 2013)
...Sienkiewicz began his pro career at Marvel, his style on Moon Knight very quickly shifting from something very influenced by Neal Adams to something far more expressive, and it's this extreme expression most people will think of when you mention Sienkiewicz's name. From here it was on to various projects; Marvel Comics' New Mutants, DC Comics' The Shadow, and on to various other publishers. Famously he produced the first couple of issues of Alan Moore's lost epic Big Numbers, before leaving the project. Sienkiewicz's work is still as visually interesting as it’s always been, mot recently seen in the pages of Brian Michael Bendis' Daredevil: End Of Days….

(Image via Brian Coppola. Thanks!)

Sunday, 26 January 2014

Wednesday, 9 October 2013

All Time Favourite: Stray Toasters

Stray Toasters (1988)
by Bill Sienkiewicz
DAVE SIM:
(from 100 Internet Tour at MillarWorld, February 2008)
...I'd have to go with Bill Sienkiewicz's STRAY TOASTERS. You can read the whole thing or you can read any three or four pages and get full value for your reading/viewing investment of time. I like his and Frank's ELEKTRA ASSASSIN, too, but mostly as the precursor to STRAY TOASTERS...

(from The Blog & Mail, August 2007)
...Am I the only person who loved this book? It was a little hard to follow in spots but I think Bill did a heck of a job on the lunatic interior landscape(s) he was shooting for. Everyone in the book from the psychiatrist on out is severely dysfunctional. Depending on how you look at it, that's either wonderful comedy or wonderful tragedy. But I did - and do - think it was wonderful...

(from 100 Internet Tour at Comic Book Resources, Febuary 2008)
...when I brought up Bill Sienkiewicz's STRAY TOASTERS at lunch the one time and you'd think I'd shot somebody's dog from the way Seth, Chester and Joe reacted. I reread STRAY TOASTERS at least once a year. It's confusing as heck but, for me it has some amazing moments...but then I like the illustration schools represented in there and what Bill is trying to do (or what I think Bill is trying to do). The use of flat colour in the lettering and the caption boxes which puts everything on TOP of the actual art. That's pretty breathtaking for me as an artist who is known as an innovative letterer. I take my hat off to anybody who can introduce a whole new way of doing work. Dave McKean came out of that. Thematically the SANDMAN covers are Sienkiewicz. Even if it's not your cup of tea, it's nothing to act as if liking it is the same as shooting someone's dog. GASOLINE ALLEY has very, very little to offer me, but I would never call it s--t.

Stray Toasters was originally a four-issue mini-series created, written and illustrated by Bill Sienkiewicz, and published by the Marvel Comics' imprint Epic Comics in 1988. The story revolves around criminal psychologist Egon Rustemagik and his investigation of a serial killer that seems to be targeting women. Out of print since its initial publication, Stray Toasters was finally reprinted by Image Comics in 2008. You can find out more about Stray Toasters at Comics Bulletin, A.V. Club, Pop Matters, Page 45 and BillSienkiewicz.com.

Friday, 1 February 2013

True Creative Freedom

Glamourpuss #9 (September 2009)
Art by Dave Sim
DAVE SIM:
(from an interview in UK fanzine FA #94, December 1985)
...I talked to Bill Sienkiewicz a couple of nights ago and basically proposed that he do a book for Aardvark Vanaheim. And the way I proposed it to him was that he would have to produce 20 pages of black and white artwork. I would want him to announce how many issues he was going for - I told him I would prefer 30 to 40 as opposed to 4 or 6 or 8 as everyone else is doing that - and that I did not want story ideas, I did not want an outline, I did not want a script, I did not want to see the pencils. Get it in shape, get it in the format, send it to the printer and when the first issue comes in I'll read it. To me that's creative freedom, because it becomes a crutch if I say to Bill, send in a treatment of what you're going to do, it becomes a crutch and an impediment on the one hand because if I write back and say "fabulous, go ahead," then he feels more secure in an illusory sense that now this is a good idea because Dave said so and Dave's publishing, and that's not the point of it. The point of doing a Bill Sienkiewicz book is to say, if you do it for 40 issues it doesn't even have to make sense to you for the first ten, particularly in Bill's case. We have an idea in our mind of what Bill's going to do if somebody just turns him loose and says start doing page one, keep going, when you get near an idea start playing with that, but if you do things that you don't want to play up any more, drop them, and that's true creative freedom to me. If he sends in a treatment and I'm supposed to analyse it, or if he sends in  a treatment he's going to have to nail down elements of the story, to say and this is what happens around issue 30, and this is what happens in 32. Well, if he gets up around issue 15 and it's a Thimble Theatre situation, where it's all this band of characters and suddenly this sailor named Popeye walks in and takes the whole joint over. If he sends me a treatment saying this is where it's going and he can't pursue that, he can't just veer off here and say "here, this is what I'm going to do now." And the only restriction towards him is his own attitude to the sales figures. The first issue shipped 20,000, Bill, we've got orders for 15,000 of the second one, third issue comes out, we've got orders for 12,000 the 8,000 the 6,000, he's going to perform some radical surgery just because his income's at stake. But if he's going completely off the deep end and completely weirds out on everyone the circulation's going to go up, and if it goes up it says let's keep going as far over towards weird as we can get.

Thursday, 27 December 2012

A 'Dave Sim' Sketch by Bill Sienkiewicz

Sketch: Dave Sim by Bill Sienkiewicz (1984)
Cerebus #65 (August 1984)

Monday, 3 December 2012

Meeting Jack Kirby

1981 Chicago Comicon:
L to R: Dave Sim, Jack Kirby, Colleen Doran, Julie Schwartz
DAVE SIM:
(from the 'Virtual Kirby Panel', The Jack Kirby Collector #27, February 2000)
Okay, before I go, I have to tell you about meeting Jack Kirby at the 1981 Chicago Comicon - I think it was 1981. I was sitting with Bill Sienkiewicz by the pool at this party and I saw Jack Kirby a dozen yards away or so on the other side of a bunch of table and chairs. Bill says to me, "Have you met Kirby?" And I say "No, but I'd sure like to." And Bill says, "Well, come on - I'll introduce you." So we're moving aside the chairs which are sort of jumbled together and making some progress to where Jack is standing and I hear off to one side somebody yelling "Jack! Jack!" which Kirby doesn't hear. I look over and I see Julie Schwartz, and he's got his arm around Colleen Doran (who is like 12 in 1981 - I'm kidding, I think she was 19 or something) in that Julie Schwartz way of his that, for reasons I've never been able to fathom, some feminists like Cat Yronwode find really endearing and other feminists like Colleen Doran find really creepy, and he's bringing her over to meet Jack Kirby. So. It turns into this really strange kind of footrace with Bill and I moving all of these chairs out of our way and Julie Schwartz and Colleen moving the chairs out of their way and I'm thinking, "I have got to get their before Colleen does or I'll never meet Kirby" (because Jack Kirby, whatever you might have heard, was flesh-and-blood and a manly guy and Colleen was about the cutest little thing you ever laid eyes on when she was 19 - not that she isn't now - and from my own experience I have to tell you that if one guy that I know is bringing another guy to meet me at a con and another guy I know is bringing a nineteen-year-old girl to meet me, I can tell you who is going to get the lion's share of the attention and for that I don't apologise one bit). So Julie is going "Jack! Jack!" and just as Bill and I get there, Kirby hears him and he turns that way and Julie pushes Colleen towards him and says, "Jack, I'd like you to meet this lovely goil" (Julie Schwatrz is the only New Yorker I know who actually pronounces it that way) "this lovely young goil, Colleen." And Colleen was charming and starstruck and Kirby was charming and grinning from ear-to-ear and I'm standing behind Bill thinking, "Oh well," but still pretty jazzed that Jack Kirby is only two feet away and that was pretty amazing in itself, let me tell you - and I'm watching Jack Kirby talking to Colleen when suddenly Bill lunges forward and says, "Jack! I'd like you to meet Dave Sim!" And Jack says, "I admire your philosophy." To which I said something like "Abth dahbt bladda thadda thut" and Julie - like any good poker player who knows he has a winning hand - suggests that Bill take a picture of Julie and Jack and "this lovely goil, Colleen." Well, Bill pushed me into the picture, flash. Julie edged me out of the picture and I sort of staggered away leaving Kirby to enjoy the rest of his chat with Julie and the "lovely goil."

Philosophy? Philosophy?

I puzzled over that one for a while and then I remembered that the Comics Journal had just published a piece of mine called "A Declaration Of Independence," which was to be one of a series of pieces by various publishers about their ideas on publishing comic books (or, in my case, a comic book). I had talked about as much as I thought I dare to for a punk kid who had only been in the business for a few years about Kirby's situation at Marvel and what I saw as the origins of the unfair treatment he got. Anyway, it was very reassuring to find out that he had read it and not thought that I didn't know my place. And then to find out that he admired it - well, wow!

Jack Kirby (1917-1994), with writer-editor Stan Lee, co-created many of Marvel Comics' major characters in the 1960s, including the Fantastic Four, the X-Men and the Hulk. Kirby left Marvel in 1970 for rival DC, where he created his Fourth World saga.

Julie Schwartz (1915-2004) was long-time editor at DC Comics, where he was primary editor over the company's flagship superheroes, Superman and Batman. He was inducted into the comics industry's Jack Kirby Hall of Fame in 1996 and the Will Eisner Comic Book Hall of Fame in 1997. 

Bill Sienkiewicz is the Eisner Award-winning American artist and writer best known for Moon Knight, New Mutants, Stray Toasters and Elektra: Assassin.  

Colleen Doran is the writer/artist of the fantasy series A Distant Soil and illustrator of many other comics and graphic novels. Please support Colleen's restoration project to complete 'A Distant Soil'.

Thursday, 17 May 2012

Big Words From Alan Moore

The Comics Journal #138 (October 1990)
Art by Bill Sienkiewicz


ALAN MOORE:
(from an interview in The Comics Journal #138, October 1990)
Dave Sim and Gerhard. There you've got some consummate storytelling. It's always possible to learn from Dave... His sense of timing. Comics in Dave's hands comes closest to music in some respects, in that he's got such a perfect sense of comic timing. And he's also got - like I say, the thing that's very important to me - the desire to push forward and experiment and move into untested ground. What Dave has managed to do with an aardvark barbarian character that started off as a Barry Smith Conan parody, what he's managed to say in the context of that strip is staggering. I could never do that. I would feel so limited by the restrictions of the character and the world that I would never attempt to do a book as long as Cerebus, but what Dave's done is he's come up and met that challenge. It's difficult to imagine something that Dave couldn't address in Cerebus. Despite the fact that it superficially looks like a limited world, he manages to be able to talk about anything people can talk about in other books. There's not a lot of people who you can learn from in terms of storytelling, but Dave's always one of them.

Thursday, 22 March 2012

New Mutants #52

New Mutants #52 (Marvel, June 1987)
Art by Bill Sienkiewicz
Many thanks to Jay for posting this comment in response to yesterday's post about X-Men #160:
[The S'ym character in X-Men #160] always seemed vague (at best). While obviously the name is a poke at Dave, Sym looks NOTHING like Cerebus. He wears a vest. That's all. Even Bill Sienkiewicz, who was friendly with Dave at the time, and drew Sym in a few New Mutants issues, seems to have NOT got the memo that Sym was anything even vaguely Cerebus-esque. Only years later when he did a cover had this assertion (somehow) hit him, hence the actually, and only, Cerebusish-Sym on New Mutants cover #52.