Sunday, 15 November 2015

Personalised Cerebus Bookplates!

Cerebus Trade Paperback Personalised Bookplate
Art by Dave Sim, Tone by George Peter Gatsis
'Unsigned', 'Signed' & 'Your Name Hand-Lettered By Dave Sim' Options Available
Available from Cerebus Archive Number Four Kickstarter
Ends Saturday 21st November 

DAVE SIM:
(from Cerebus Archive Number One Kickstarter Update #6, 21 May 2014)
...The gag actually goes back almost 50 years now, back, back, into the Vanished Mists of Ancient Times to when men used to wear…hats! See, when you went indoors, you took off your hat. As deference to what were then known as "Ladies". I still do this compulsively in the winter even when I'm only going indoors for five minutes. Anyplace that had a cloak room also had a shelf for hats. And a lot of hats looked alike. So gentlemen tended to put an identifying label in the inside of the brim with their name on it. So it was not unknown for you to pick up a hat and check inside to see if it was yours. So, my Dad got this joke label from someone that said "The HELL it's yours. Put it back. This hat belongs to…" and then he wrote Ken Sim in it. His hat would often get a good workout with guys laughing and then pretty much having to show it to other guys to explain, you know, what EXACTLY did you find particularly funny about someone else's hat? As soon as I needed a gag for an identifying label -- well, what could be more a more Cerebus-like sentiment regarding YOUR personal property?)...

Cerebus Archive Number Four: Bookplate Options
Left: Tone by Sean Michael Robinson
Right: Tone by George Peter Gatsis

Saturday, 14 November 2015

People Say The Nicest Things

Bonus Print #39: Cerebus #1 (1977)
 

RICH JOHNSTON:
(from Bleeding Cool, 12 November 2015)
...As ever, my attitude has always been Dave Sim is one of the few geniuses who have chosen to work in comic books, and every single one of those people have what I would call "issues". Some people can't get past that to appreciate the work, others prefer to concentrate on the art and ignore any opinions of the artist, if they offend. I prefer to see it as part and parcel. For people to make great art, many end up being a transgressive person, breaking out beyond accepted behavioural norms or beliefs. It's the price paid, before or after the journey...

Bonus Print #38: New York Comics Art Convention '79

BILL SIENKIEWICZ:
(Reddit, May 2015)
Dave's an old friend. I think Cerebus is one of the greatest accomplishments in comics, not only as a work of art, but as a commitment to a vision.

Bonus Print #37: Cerebus #1 Eccentric Cover Recreation


STEVE DITKO:
(from Kickstarter, 29 March 2015)
...Dave Sim is a man to be loved, admired and respected...

Bonus Print #36: Cerebus #301

NEIL GAIMAN:
(via Twitter, 25/26 August)
I'm supporting Dave Sim on Patreon (Because the world of comics is a big one that includes Dave and Erica Moen)... I've known Dave for 30 years. He no longer talks to me, as I won't sign his pledge. I wish him and his comics well... I don't retract anything I've said about Cerebus, or the quality of Dave's work.

Bonus Print #35: On The Stairs

JIMMY 'Amelia Rules' GOWNLEY:
(via Twitter, 31 October 2015)
A comics masterpiece and the reason I make funny books. Please help restore Cerebus! Kickstarter.


Bonus Print #34: Selling Insurance


WIFE OF CEREBUS FAN DONATES $280k TO MSU
(Michigan State University, 4 November 2015)
...Reading comics was something Sarah Newman only did as a child until her husband Richard (Rick) Mark Newman reintroduced her to them as an adult. Rick, a physician and a neuroscientist like his wife, relied on comic books during the eight years he lived with ALS. "He couldn’t do anything but read,” Sarah said. “He was totally paralyzed, but he could move his eyes."

As a childhood fan of Conan the Barbarian, Rick began reading Cerebus the Aardvark, a loose parody of Conan that evolved into a broad exploration of the artistic and literary reach of comic art. Each week, Sarah stopped at the comic store to pick up the latest issues of this and other favorite titles for Rick.

During his years of paralysis, Rick was "bored to tears" and always looking for ways to exercise his intellect. To him, comics brought entertainment and intellectual stimulus in equal measure. He had an appreciation for the artwork and collected a good deal of memorabilia from the Cerebus series before his death in 1987.

Memories of this time prompted Sarah Newman to pledge a $280,000 gift in support of the MSU Comic Art Collection. The Richard Mark Newman, M.D., Endowment for Comic Art, when fully funded, will ensure continued preservation and access to this beloved collection...


Bonus Print #33: Swords Of Cerebus #4


GAIL SIMONE:
(via Twitter, 4 August 2015)
For the record, I still think the first half of CEREBUS are some of the greatest comics ever made, period.

Bonus Print #32: Alan "Jacob" Moore

HEIDI MacDONALD:
(The Beat, 8 March 2015)
...If you're coming in late, Cerebus is a 300 issue epic that's one of the greatest comics ever made...


BONUS PRINTS #1-31
FROM PREVIOUS 'CEREBUS ARCHIVE' CAMPAIGNS

Friday, 13 November 2015

Jeff Seiler: Dave Sim & Me

Dave Sim's Collected Letters Vol 3:
Pretty Girls & Other Subjects
Only $15!

JEFF SEILER:
Eleven years ago, when Cerebus ended, Dave Sim decided to answer all of his back mail. A month or so later, he had his "Jeff Seiler Day" in which he answered multiple letters I had written over the previous year. After I received that letter, I decided to keep writing, and he kept his promise to answer every letter he received. And now, I have a foot-high stack of letters written and received over 10 years or so. I'll be running interesting excerpts from those letters every Saturday.

This is a letter from Dave Sim to me, dated 20 August 2004, responding to a letter from me of 1 August 2004:

Dear Jeff:

Thanks for your letter of August 1. As I told you on the phone, I’m kind of up-to-my-eyeballs in this Neil Gaiman thing at the moment. As Lewis Carroll put it, all the running I can muster just to stay in one place (or, rather, not to fall too far behind too quickly).

There won’t be any response from Mayor Zehr, I don’t think, since it was just a general interest kind of communication. I got a phone call from him when I expressed a criticism of the current council’s generally liberal/profligate (depending on how you look at it) spending ways. The actual answer he gave was kind of evasive, but then he is a politician and that’s one of the job skills. What I was trying to point out was that if you increase the borrowing authority for the City and then increase the capital works projects, what you are doing, in effect, if not literally, is spending the next Administration’s money. If you’re re-elected, that’s fine. But, if you aren’t, you are basically putting your successors at a disadvantage, fiscally, that you didn’t have. I was just wondering if he couldn’t put a cap on it, voluntarily. He’s a liberal, I’m a conservative; he’s going to want to spend more. So his dollar amount is going to be higher, but at least pick the amount and enshrine that in law. He found a nice way of saying it, but basically his answer was that there’s no reason he should tie his own hands fiscally. Basically, the “catch me if you can” approach. You can vote him out of office or try to start a backlash from the citizenry in the media, but it’s up to him to do what he thinks is right as long as holds the officer he won fair and square. Since I’m the only person who shows up to watch the City Council meetings every week, I can’t fault his reasoning.

I’m enclosing my reaction and the reaction to my reaction to Douglas A. Jeffrey’s letter. No response as of this date. Personally, I see “Tangent” as being the core of the common-sense position I hold, not “the outer limits...of any given envelope”.

Karen Redman was reelected in Kitchener Centre and is now the government whip, which means that she is responsible for keeping everyone in line on any upcoming vote when Parliament reconvenes in October. A key role in any minority government and a difficult one for a rookie. I suspect she was tapped because she was both a woman and a Chretien loyalist, both of whom needed to be represented in Paul Martin’s new government. It would be difficult to explain all of the ins and outs of the current political situation. My best assessment is that Paul Martin is still taking the uber Liberal road of being all things to all people. My best guess is that he will avoid tabling any kind of legislation for as long as possible and having Parliament sit for as short a period a possible before rising for the longest recess imaginable as a way of maintaining power and avoiding having to face the major schisms in his own party. It worked for Chretien for years. The tactic the Conservatives have taken (which I was hoping they would) is to say nothing and to nothing and leave the Liberals to tear themselves apart, however quickly or however slowly. Canadians are in denial about the governing party, so they have to see what it actually is before they will seriously consider an alternative. The process could take years, but I think it is worth doing it exactly the way Stephen Harper is doing it.

On to the letter to the editor that you sent. Yes, it’s just something we’re all going to have to get used to, I’m afraid. The idea that the world loves a Democrat in the White House and loathes Republican. It seems to me that it’s really not about being liked or not being liked, it’s about doing the right thing in a time period where everything is very uncertain. The situation in Iran is definitely upping the stakes in the card game. The schism, it seems to me, is who do you want [to be] playing the cards you’ve been dealt in that game? Someone who believes in God and fervently wants God to guide his actions? Or, an atheist who is trying to figure out how to play the hand so [that] everyone ends up feeling good about themselves? It seems to me that the fanatic Muslims would be voting Democrat for the same reason that Republicans are trying to get Ralph Nader on the ballot in every state. Whichever way things shake out, a Democrat is going to give them more wiggle room than a Republican will, just because the Democrats see everything in co-equivalency terms. Yasser Arafat is a good example of why you should never see a fanatic Marxist-Muslim as being the same as everyone else. However, it is a democratic choice. If it is Kerry in November, the United States will still survive and flourish. But, I do think it will look as if the United States flinched at a critical moment and this doesn’t strike me as a time when flinching is a good idea.

Sincerely,

Dave Sim

P.S.: The backing boards say Now & Then Books because that’s what they stamp on them at Now & Then. It used to irritate me bit, but I owe Cerebus’ existence in no small part to what Harry Kremer did for it, so I can’t kick very hard at the two being associated. Here in town, Harry is still THE name in comic books. Dave Sim is just someone who used to work for him.

Thursday, 12 November 2015

Weekly Update #108: Thank You, Thank You, Thank You!!!


A big thank you to all the Cerebus supporters out there! Also, a complete edition of The Puma Blues is now available!

IS THERE A DOCTOR IN THE HOUSE?
Are you a qualified medical practitioner? If so, here's A LINK to Dave's recent MRI and X-Ray of his damaged right hand. It's a zip file with two folders (MRI and X-Ray). Each one has some a small proprietary viewer with which you can see the files. Note, it's PC only. Send in your diagnosis to: sandeep.s.atwal [at] gmail [dot] com

SUPPORT THE CEREBUS RESTORATION PROJECT!
Cerebus Archive Number Four on Kickstarter
Only 8 Days Left To Make Your Pledge! 

Wednesday, 11 November 2015

The Destruction of Iest

MARGARET LISS:
A few years ago I scanned all of Dave Sim's notebooks. He had filled 36 notebooks during the years he created the monthly Cerebus series, covering issues #20 to 300, plus the other side items -- like the Epic stories, posters and prints, convention speeches etc. A total of 3,281 notebook pages detailing his creative process. I never really got the time to study the notebooks when I had them. Just did a quick look, scanned them in and sent them back to Dave as soon as possible. So this regular column is a chance for me to look through those scans and highlight some of the more interesting pages.

So we've looked at Dave Sim's notebook #26 three times before: They Give Us Those Nice Bright Colors, Fall and the River, and Form & Void Shooting Script. It covers issues #240 to 250, and while the cover says the notebook had 300 pages, only 150 were scanned. There were a total of 134 blank pages and only 11 missing pages.

On page 96 of the notebook it looks like Dave was writing some notes for Gerhard - for the post ascension Iest. The dolly shot that Dave is talking about starts on page 349 of Going Home, or page 3 of Cerebus #249. The dialogue at the bottom of the notebook page is on page 356 of Going Home.
  
Notebook #26, page 96
"Cirinist Touristas" - I think they made their way to Cape Cod this summer.

Next is the only page from a notebook I printed out. It never made it into the story line - two guys discussing F. Stop's Fall and the River. When I need a laugh I read it - who hasn't felt like Pat Veteran before?

Notebook #26, page 156
Click to enlarge the page and read the tiny type



Tuesday, 10 November 2015

Bonus Printstravaganza!


Sean Michael Robinson:

Howdy folks--

Alright, there are only ten days left to pledge to the best Cerebus Archive Kickstarter campaign yet.

This time around we have a lot of really slick bonus prints, so I thought I'd take a minute to spotlight them.

First up, we have "Jacob Moore," a great drawing done in the style of a Victorian copperplate etching, depicting a certain familiar comics figure as Jacob Marley and Cerebus as Ebeneezer Scrooge. This barely-seen commission was drawn for Tim W., founder and principal blogger of this here website!



Creepy, eh?

Thanks for the scan, Tim!

Next is the cover of Swords of Cerebus 3, a rare color piece featuring Julius and Cerebus. Also of interest? It was painted on duotone board, a special drawing paper that came with chemicals that could be brushed on to release different types of tone. As you can see, the effect has changed somewhat over time-- there's some remnant of it above Cerebus's head, and some of it creeping in on the edge of the paper as well. This is a nice example of Dave's early mixed media color style, well-suited to the spot-black-heavy of his rendering at this period. I don't have a copy of Swords 3 handy so I can't see for myself, but I'd be curious to know how these colors have changed over time. Some of the color scans I've seen of High Society era covers have seen some color shift-- I'd assume the same is true here as well.



click to embiggen

Next up is one of my personal favorites, the splash page from Selling Insurance, one of the color short stories that appeared in Epic Magazine. The scan for this one was kindly sent by Cerebus art hunter/illustrator extraordinaire Dean Reeves, who specifically asked us to use it for the campaign this time around. Thanks so much for the scan Dean!

This one has a real bande dessinée feel to it, with the rich painted color and bouncy, animation-like characters with thick, expressive contour lines.



Next up is "On the Stairs," an unusual, really nice cast portrait by Dave and Gerhard, done as a commission back in 2007. The rich color (Dr. Martin's dyes?) and slight reinvention of the character style (check out that rubbery Elrod and refined, perfectly coiffed Jaka) really reminds me of the great covers of Following Cerebus done around the same time.


And lastly, we have two different recreations/homages to the iconic Cerebus No.1 cover, one that presents itself as a sequel to the series, another actually imagining the cover as a physical act and extrapolating the before and after. I believe the first was done as an A/V Christmas card, and the second as a commission? (I'm sure someone will correct me if I'm wrong). It was also used as an animated intro on the short-lived Cerebus Art website, set up to sell original art and solicit commissions.



As for the last few bonus prints for this round? Let's just say we've saved some exciting items for the end. I'll have a short post up about one of the items in particular, as it has some significant, shall we say, historical interest?

(any guesses what I might be talking about here??)

In the meanwhile, please pledge now, and pledge often!

Monday, 9 November 2015

Cerebus #23: Blurred Lines

Cerebus #23 (December 1980)
Art by Dave Sim
STEVE SWENSON:
Here's an interesting Cerebus oddity I recently purchased. There's not much Cerebus stuff I'm looking for, but oddities like this always strike a chord in my fan-boy heart! I ran offset printing presses for over 15 years so I've got a pretty good idea what happened here, but I'd like to someday get in touch with someone from Preney Print and ask them what sort of presses they were using around this time. I know Preney has been out of business, but maybe Sean or perhaps Gerhard knows a contact.

Sunday, 8 November 2015

Dave Sim: Best-Laid Plans...

On 28 October Dave Sim began posting daily comments on to that day's 'A Moment Of Cerebus' post to promote the current Cerebus Archive Kickstarter Campaign. Below are highlights from last week's posts (prior week's posts here) -- for the full text, hit the link given. Note: The images used this blog-post are available as high-quality bonus prints from the CAN4 Kickstarter for just $9 each. All money raised supports the Cerebus Restoration project.

Bonus Print #37: Cerebus #1 Eccentric Cover Recreation

DAVE SIM:
(2 November)
Best-laid plans. My left shoulder started hurting again yesterday which is making left-handed typing a problem. I'm still hoping to type something here every day of the CEREBUS ARCHIVE FOUR campaign... God willing my left shoulder won't hurt as badly tomorrow and I can type more than this!

Bonus Print #36: Cerebus #301

DAVE SIM:
(3 November)
...thinking it over, I'm pretty sure the shoulder pain and pain in all of my joints is the result of the cortisone shot wearing off. Pretty much what I expected, which is why I kept the wrist brace on. I just don't agree with medical science about what steroids DO. I don't think they HEAL inflammation, I think they just SUPPRESS the sensation. Which means you -- generally, I mean, not me -- just FEEL as if the joint is normal and proceed to damage it by treating it AS IF it's normal. Didn't happen with my wrist because, again, I don't trust FEEL. DID happen with my shoulder because I wasn't thinking that ANY steroid injection is going to migrate to inflammation. So now I've re-torn whatever it was I tore last summer and have set back my recovery by months. It was ALMOST okay and now it's torn again...

Bonus Print #35: On The Stairs

DAVE SIM:
Picking up from yesterday's thought: I have no idea who YOU are who is reading this. Supporting The Matrix model: as far as I know none of the people who said they were coming to the WAREHOUSE GIVEAWAY actually got there, supporting the idea that the people posting to this site are Matrix-like "cybernetic attendants": basically here (on assignment?) to ensure the conversation is always steered in the direction of "fixing Dave Sim", "how Dave Sim needs to fix himself" and "everything is fine, Dave is very well regarded: move along now in an orderly fashion, nothing to see here". Or, rather, those people are metaphysical sock-puppets of entities charged with those duties. Not necessarily Reality but not necessarily Not Reality since it fits the known facts which are otherwise inexplicable...

Bonus Print #34: Selling Insurance

DAVE SIM:
(6 November)
...My PRIMARY legacy, I think, will be having been the first to suggest that if you read the Torah and the Gospels and the Koran with the idea in mind that it's a tripartite dialogue/argument/chess game between God and the YHWH -- God and God's first, disobedient creation -- the three texts make sense as a perfect unity. The Off-White House will be the first place where all three faiths were observed in that context... and that will be of great value to future generations I think...


Bonus Print #33: Swords Of Cerebus #4

DAVE SIM:
...We will be SELLING back issues by mail order once we have the new storage space/office/mailing room set up, but that's going to take a WHILE!!!! And it's going to be expensive. There is no cheap way to move things around the planet by traditional means. The "giveaway" -- which ends Friday the 13th -- was intended for people who could get there BECAUSE there were no shipping costs. We even let people grab free trade paperbacks because there were only a half dozen people there. AND we -- me and your CEREBUS fan money -- bought them dinner Friday and Saturday night. Cheapest labour costs going! :) ...

Bonus Print #32: Alan "Jacob" Moore


DAVE SIM:
(7 November)
Again, trying to stay focussed here: we are really "all about" fundraising right now. That's why I'm experimenting with posting daily in these comments sections. Something I would consider repeating with the next (God willing) Kickstarter if there's an uptick in pledges. Present model: no good purpose is served by Dave Sim's presence 1995-to-date. Obviously I don't agree, but that, too, is democracy. And good business. If Dave Sim hurts the CEREBUS "brand" keep Dave Sim as hidden from view as possible...

BONUS PRINTS #1-31
FROM PREVIOUS 'CEREBUS ARCHIVE' CAMPAIGNS

Saturday, 7 November 2015

Gerhard: The View From Here...

Gerhard & Shelley (2015)

GERHARD:
It's been an interesting year (as in the 'may you live in interesting times' curse).

The bulk of the year had me occupied with looking after my 84 year old diabetic mother with Alzheimer's. She is now in a home that will look after her much better than she or I can. It should bankrupt her in about two years and then it's my turn, I guess.

I regularly check out AMOC but I have very limited Internet access. We live out in the country; have no land-line phone connection, satellite or cable; we have a Rogers Rocket Stick, if we exceed our 6-gig-a-month limit, the rate 'rockets' and they 'stick' you with the bill, therefore no movies or You Tube.

Other than the boat -- which is my one extravagance -- we live a pretty austere life style. Our electric bills are about $65 a month; total heating oil bill for ALL of last winter was $200. We only run the furnace first thing in the morning until I get a fire going (our landlord supplies us with wood that he cleans up from the bush, I have to split it and stack it; it is wet and a mix of crap wood and hardwood but it's free).

We live in a tiny, leaky, drafty attic apartment in an old farmhouse surrounded by cornfields and trees. That's our choice and we love it. And it's cheap.


Shel's been writing columns for local free newspapers (so you know how much that pays) which led to her writing a biography for a local "icon". Last year I made less selling prints and doing commissions than my mother made on her meagre pension. I would have made more but it took six months to get paid for the Knickerbocker job.

Still... we get to work from home. Our commute is from the bedroom to the living room and I can't tell you how many times I've been overjoyed at the thought of not having to face traffic or the weather. I bought a 2004 Hyundai Accent 4 years ago for as little as possible and it's still going strong (knock on wood). Our store of choice is Value Village, a second hand store where you can buy anything from computer speakers for 5 bucks to suitcases for 10 bucks a piece and Shel gets all excited when she finds two new outfits for $20.

I share all of this with you not out of any sense of anxiety or desperation, whatsoever; just the opposite. We have no debt and want for nothing... and we don't have to run the rat race or work at McDonald's... at least not yet. We're enjoying our 'starving artist' lifestyle. As someone once said: I am the baker, and my life is the bread; how am I doing? Just fine, thanks.


I've started doing conventions again thanks to the generosity of Charles Costas who used his frequent flyer miles to fly us out to California to attend the Big Wow show. He is also directly responsible for getting us invited to Baltimore and Motor City. Dean Reeves was instrumental in getting us invited to Calgary. We wouldn't be able to afford to attend these shows unless invited as a guest. I would like to thank Charles and Dean and the organizers of these shows and the folks at Wizard World for their generosity and support.

All of the shows have been great. The St. Louis show in particular was amazing. I had a taste of real comic book stardom signing those Walking Dead books. It reminded me of the good old days when Dave and I would have line-ups at the table. The deal was that Wizard World had me sign 200 of each the colour and b&w for them and I got 200 of each to sell at the table. They gave away unsigned colour copies to the attendees while supplies lasted. The VIP attendees got the b&w as well. I was signing and selling books all weekend long. Wizard bought the original art and Skybound, the publisher, also paid me for using it on the cover. It was a very lucrative and generous offer. Everybody thought it was way cool that I had put St. Louis on the cover. Plus we sold a whole bunch of Cerebus prints.

During 2015 Gerhard attended comic conventions in:
 Calgary, Detroit, St. Louis, Chicago, Ohio and Austin.
Hit the links above for Gerhard's photo-essay on each convention.

All of the people we've met at these conventions admire the WORK. They don't give a hoot about Dave's opinions. The older folks are nostalgic about the book, and a lot of them now have some disposable income to feed that nostalgia.

There's a segment of younger readers that have discovered the book only in TPBs and know nothing of Dave's rants and essays. They like the story and the art... a lot. A young girl (in her early teens? It’s so hard to tell these days) brought up a copy of Church & State vol. One clenched in both hands, shook it for emphasis and said, "This is the best book EVER!" You could have knocked me over with a feather.

Some people when asked if they've heard of Cerebus are not sure but as they leaf through the display portfolio and come across a prominent image of the aardvark, they exclaim, "Oh yeah! That guy!" Even people who don’t know Cerebus, know OF Cerebus.

A rare Cerebus drawing by Gerhard, based on a Dave Sim sketch for an unused Box Set design.

Some will sheepishly admit that they only got so far through the story. Everybody has their own drop off point. Everybody has their own favourite part. All of the people who have made it all the way through wear it like a badge of honour and accomplishment.

All of the other pros at the cons (nyuck) are respectful and kind of oddly humbled. Shel asked one fellow we were sitting beside if he knew of Cerebus and me. He very wryly said, "Of course... I'm not an idiot."

Most of the people haven't even heard of Dave's petition. When I tell them what it says they get the same confused look that I had when I first heard about it.

People ask me for a Cerebus sketch. I remind them that Dave drew the characters. They don't care; they want a sketch of Cerebus. I start doing my version which I call 'Gerebus'. Turns out they are fun to do and people love them. They're thrilled. It's the character they care about; it's the work they admire.

The irony is not lost on me that I'm now the one out there doing drawings of the aardvark.

For your own iconic ironic 'Gerebus' sketch you can contact me at: gerzmail [at] yahoo [dot] ca


Gerhard can be found online at Gerhard Art and Gerz Blog...
...along with details of Gerhard's prints for sale.

Friday, 6 November 2015

Jeff Seiler: Dave Sim & Me

JEFF SEILER:
Eleven years ago, when Cerebus ended, Dave Sim decided to answer all of his back mail. A month or so later, he had his "Jeff Seiler Day" in which he answered multiple letters I had written over the previous year. After I received that letter, I decided to keep writing, and he kept his promise to answer every letter he received. And now, I have a foot-high stack of letters written and received over 10 years or so. I'll be running interesting excerpts from those letters every Saturday.

Here's a letter from me, Jeff, to Dave Sim, dated 1 August 2004:

Dear Dave,

Thanks for you letters of 7 July and 15 July. First things first: the 7 July letter.

Yeah, I sometimes amuse myself by my occasionally low voice. I once called my last girlfriend at work and she told me that the secretary told her to tell me to “stop talking so sexy”. Meaning my voice, not anything I said. It still throws me, though, to hear you talk that way (meaning low, not sexy; you sexy beast, you). It did so again last week when we talked, both times.

Speaking of which, I don’t intend to be so brief when I call you. Of course, that day, at least for the first call, I had to be brief, as you called right at the beginning of the meeting. But, I have read on the newsgroup that some of the guys describe quite delightful and lengthy phone conversations with you and I wonder why ours are so brief. I have reached the conclusion that I get nervous when I speak to you (but not when I write to you). I don’t know why I do so, as you seem to be every bit as approachable by phone as you are by mail. I’ll work on that, as the immediacy of phone conversation is quite different than mail correspondence. I would like to think that I am every bit as capable of having a delightful and engaging phone conversation with you as are Lenny and the others.

Should you receive any response from Mayor Zehr, I would be interested in seeing a copy of that. I was very flattered that you would send my comments to him. I hope that I might be some small part of making light rail a success in Kitchener.

As to your comments over my “stirring things up” comment: I , too, am interested in ideas and how others defend bad ideas. In fact, I routinely throw out some of your ideas about women when I am in the company of women or of men who are with their women, just to see how they respond. I just was surprised that you sent Mr. Jeffrey a copy of “Tangent”, it being perhaps the best example of the outer limits of any given envelope you have chosen to push. Have you heard from him, other than his having cashed your check?

I suspect that your quotes of Mrs. Reagan and Ms. Ono gave you chills for the very reason that they did me. In both case, the underlying message seems to be that they were placing themselves, respectively, at the forefront of the relationship and that their respective husbands were the respondents (only?) to their leadership. Good point.

For what it’s worth, I still respectfully disagree with your interpretation of the verse from Luke 17:35. I did so just after you first wrote it, and I still do.

“will / be / two {and here you insert [women]} / grinding / upon / the / very / the / one / will be taken along / but / different {and here you insert [woman] / will be let go off.” I have to say that my (admittedly, very limited and undereducated) interpretation of the use of “very” is that it is far more likely to represent the location (as in, “the very spot”), rather than “really”, as you interpret it. Of course, I don’t have a copy of The Kingdom Interlinear Translation of the Greek Scriptures, so I don’t know the context out of which the passage you quoted is taken. I still just find your interpretation so far-fetched. May I take a page from your book and, “as gently and with good humour” as I can, point out to you that the Webster’s Encyclopedic Dictionary of the English Language, Updated and Revised Deluxe Edition, copyright 1996, defines “grind” as follows:

Grind (grind), v., ground or (rare) grind-ed; grind-ing; n. --v.t. 1. to wear, smooth, or sharpen by abrasion or friction; whet; to grind a lens. 2. to reduce to fine particles, as by pounding or crushing; bray, triturate, or pulverize. 3. to oppress, torment, or crush: to grind the poor. 4. to rub harshly or gratingly; grate together; grit; to grind one’s teeth. 5. to operate by turning a crank: to grind a hand organ. 6. to produce by crushing or abrasion: to grind flour. 7. Slang. to annoy; irritate; irk: 8. to perform the operation of reducing to fine particles. 9. to rub to harshly,; grate. 10. to be become ground. 11. to be polished or sharpened by friction. 12. Informal. To work or study laboriously (often fol. by away): He was grinding away at his algebra. 13. Slang. (in a dance) to rotate the hips in a suggestive manner. Cf. bump (def. 11). 14. grind out, a. to produce in a routine or mechanical way: to grind out magazine stories.

(I’ll bet that’s your particular favorite!)

b. to extinguish by rubbing the lighted end against a hard surface: to grind out a cigarette. --n. 15. the act of grinding. 16. a grinding sound. 17. a grade of particle fineness into which a substance is ground: The coffee is available in various grinds for different coffee makers. 18. laborious, usually uninteresting work: Copying all the footnotes was a grind. 19. Informal. a excessively diligent student. 20. Slang. a dance movement in which the hips are rotated in a suggestive or erotic manner. Cf. bump (def. 22) [bef. 950; ME grinden; akin to Goth grinda-, L frendere]--grind’a-ble, adj. --grind’a-bil’i-ty, n. ---grind-ing-ly, adv. ---Syn.2. crush, powder, comminute, pound. 3. persecute, plague, afflict, trouble. 4. abrade.

OKAY. That was a pain. Or, a grind.

My point is that our modern usage of “grinding” to refer to two persons (be they men or women or a man and a woman) having sex (whether lying prostrate or standing, or in some other position [use your imagination, if you haven’t used that position, Cerebites]) in a very active or rough sort of way, probably does not mirror any such usage of the word at the time that the book of Luke was first translated into English from the original Greek (or Aramaic, if that applies). Furthermore, I strongly suspect that “very” (whatever its original meaning was) was not intended to modify “grinding” in that passage.

I believe, based on our e-mail correspondence, that Billy essentially shares my view on this and I thanked him for bringing that up with you, as that particular item has shaded and continues to shade (even if just slightly) my impression of you as a deep thinker.

Okay, on to letter number two, of 15 July:

As you know, my regional manager asked me to post a copy of your letter to me on the bulletin board along with the other inspirational messages and photos. After I called you and you gave me the go-ahead to write up a biographical description of you and your work (you said, “It really would mostly be about Cerebus, and you know as much about that as anyone else, so why don’t you go ahead and write one up?”), I did so. I have enclosed a copy of that with this letter. I hope you approve and that I got all of the facts and dates right. If not, please let me know and I’ll make the appropriate changes. If you do like it and with to use it at any time, please feel free so to do.

I hope you don’t object to my having shared your comments from this letter and a previous one with Billy, as to your vacation. He has expressed an interest in what you have to say about it. Just so you know, he is reticent to tell me or other much about the visit, out of respect for you. I suspect that he is erring on the side of caution, as I believe you wouldn’t mind if he shared the entire account. But, that’s just my opinion. Regardless, thank you for what you have written to me. I have enjoyed hearing about it from both of you and both accounts are quite similar. The only difference I can see, so far, is in your respective accounts of you having broken your fast at 10 p.m. on Sunday. You wrote, “Fortunately, Francesca had made a lasagna earlier, which went down nicely.” He wrote that you “polished off three portions.” The difference was amusing.

Actually, it was a bit surreal to walk into Keith’s Comics that Wednesday and find that the two of you had been talking on the telephone earlier that afternoon and that one of the topics was the suggestion that I had written to you about you sending him some copies of the Sandman parody issues. It is a great pleasure for me to be able to help out. Thank you for sending the Cerebus Guide to Self-Publishing and the signed copy of Party Pack.” Of course, the inscription in the Guide was much appreciated, as well.

I have read the Guide all through and found it to be quite interesting. Of course, I will never have any need to use the ideas for any publication [Ed.: Heh.], but what I found to be interesting was the insight as to how you and Ger did your work. For example, I had no idea as to just how laborious inking is: “It isn’t Zen-like. I is Zen.”

I had no idea that you can only do a few lines at a time before you have to stop, clean the nib (very thoroughly), re-ink the nib, and then do a few more lines before repeating. God bless you and Ger!

I am also going to post paragraph seven from page 21 on the bulletin board. That is true for just about anything in life. Very insightful.

Oh, and I got a big laugh out of the comments on page 43: “You are not a pen-pal. If someone writes you a nice letter and you write back, you are not obliged to strike up a years-long correspondence of Victoria proportions.”

What am am I, chopped liver?

I would still be interested in finding out what the local (for you) outcome of the elections was. The trial subscription of The Economist has expired for me, so it isn’t easy to get news from Canada. I would also very much appreciate any and all occasional updates that you might care to send along in your letters. I find politics to be of great interest, wherever they occur. Of course, the race here is just beginning to heat up. You should have seen how everyone was falling all over themselves to laud Kerry’s keynote address at the little shindig the Democrats just had. And, of course, former President Clinton’s speech had their hearts all aflutter. Sickening. Almost as sickening as will be self-congratulatory circle jerk that the Republicans are about to hold.

I mean, the National Party conventions are just a monumental waste of time for everyone except the delegates, who get a brief, shining moment of TV time and their just rewards for slugging it out in the precincts, but otherwise, the whole thing is a foregone conclusion every four years and has been so for quite a long while now.

I have enclosed some clippings. If you ever tire of the enclosures, just let me know and I’ll knock it off. I thought you might enjoy the sports column that mentioned Prime Minister Martin’s plans to revive a bill to decriminalize marijuana. I guess the other election-related emergencies just weren’t as pressing, as you pointed out in your letter.

Also, I thought that you might just find some pleasure in reading about the bookstore in Paris. Sounds like it might be your kind of place. In addition, the comic strip amused me and made me think of your search for The Way. Made me think of both you and Billy, in different ways. Kind of like, what it the two of you had met under different circumstances; say, like when he was doing the Jehovah’s Witness mission, going door-to-door?

Spoiler warning: Don’t read the next clipping if you are eating your lunch: Can you believe the letter to the editor I enclosed? Of course, it was written by a female.

“Unless we unanimously vote George W. Bush out of office, we will appear to still stand behind a president who made the most egregious of errors, and we will never recover our reputation and good standing in the international community.” What twaddle!!! It is faulty on so many levels, not the least of which is rational logic, that I don’t know where to start! Like we ever had good standing in the international community? Like they don’t all, universally, hate us? “Unless we unanimously vote [him] out of office…” As if we could? Well, I know I’m preaching to the choir…

Also, observe the first part of article about new ways of viewing the cosmos. I wondered whether it impacted, in any way, your view of the cosmos. Also, did you hear that Stephen Hawking has said that he believes that some (or perhaps, all) black holes actually spit back out some matter in a different form, instead of just sucking everything into oblivion? Any thoughts?

Lastly, thought you might like the leftover item from my Fourth of July musings. They had a very inspirational concert/sermon at the First Baptist Church of Dallas that Sunday, and I picked this up for you. Thanks for so steadfastly being a supporter of these United States.

[It was the 3” X 1 1/2” sticker of the American Flag that I sent to him, which is still in the front window of his house; lo these 11 years later.]

Okay, that’s all for this time. As always, I enjoy our correspondence and the lively (if slow) exchange of ideas. I don’t know whether I will make it into the Collected Letters, but please know that my continued and regular pace of writing back to you is based exclusively on the enjoyment that I receive from knowing and “talking” with someone whose intellect and way with words I so greatly admire and respect.

Wow, I should have put that in the bio, huh?

God bless you, and I remain, as always,

Yours beyond 300

Jeff

P.S.: Did you actually go out buy the copies of the Guide and Party Pack that you inscribed for me? The backing boards said Now and Then Comics on them. Maybe you just had a supply of them from comics past?

P.P.S.: I didn’t mean to bother you about Following Cerebus. Your comments were amusing, about the higher standards to which we hold you guys. Actually, I had considered that you guys might have held off on shipping it because The Last Day came out later than had been planned. Thanks for being good-natured about it, though.

P.P.P.S.: I wrote the last time that it was about time I got around to asking a Cerebus question again, so, here goes: Having seen an excellent series of DVDs by the BBC and Simon Schama that I checked out at the library, I wondered whether Weisshaupt had been based in any part on Robert Walpole of early 18th-century English politics, as Walpole was, essentially, indeed, if not in title, the first Prime Minister of Great Britain?

Thursday, 5 November 2015

Weekly Update #107: Everything Must Go!


Want some free Cerebus comics? Thousands left! Head on over to Recker Distribution in Leamington, Ontario and take what you want! First come, first serve...

IS THERE A DOCTOR IN THE HOUSE?
Are you a qualified medical practitioner? If so, here's A LINK to Dave's recent MRI and X-Ray of his damaged right hand. It's a zip file with two folders (MRI and X-Ray). Each one has some a small proprietary viewer with which you can see the files. Note, it's PC only. Send in your diagnosis to: sandeep.s.atwal [at] gmail [dot] com

Wednesday, 4 November 2015

Nyuk Nyuk Nyuk

MARGARET LISS:
A few years ago I scanned all of Dave Sim's notebooks. He had filled 36 notebooks during the years he created the monthly Cerebus series, covering issues #20 to 300, plus the other side items -- like the Epic stories, posters and prints, convention speeches etc. A total of 3,281 notebook pages detailing his creative process. I never really got the time to study the notebooks when I had them. Just did a quick look, scanned them in and sent them back to Dave as soon as possible. So this regular column is a chance for me to look through those scans and highlight some of the more interesting pages.

A couple weeks ago we had a request from Tony D to see some of the notebook pages for the Three Wise Fellowes. Aka Koshie, Moshie and Loshie, they first appeared in Cerebus #268. There is only one notebook for the issues they appear in: notebook #33, which covers #265 to 300. We've only look at notebook #33 once: it was the final notebook.

The first page of the notebook that has some three wise fellows material on it is page 7:

Notebook #33, page 7, as always, click to enlarge
This page covers #268, their first issue, it looks like Dave would come back to this page and write bits at different times. The top of the page has some info on the stooges - the list of four dates and initials are the dates the stooges died, and the initials indicate which stooge it was.

The next page which has some interesting things about the Three Wise Fellowes is on page 23. We see Kosher making the statue on Cerebus' cast.

Notebook #33, page 23,  as always, click to enlarge
The finished page that these sketches can be seen on is page 165 of Latter Days, or page 5 of Cerebus #274.  Most of the dialogue can be seen there as well along with the sound effects of Kosher making the cast.


Cerebus Archive, Going Forward, Again



Sean Michael Robinson:

You might have heard-- there are seventeen days left for you personally to pledge to the greatest Cerebus Archive Kickstarter yet-- at-size color reproductions of the ten earliest pages from Church & State II, with Dave's exclusive illuminating 10,000 word essay on the creation of the pages. The notes this time are something else-- wistful, personal, funny, until they suddenly dive into a 1,500 word tangent on panel borders and Letratape. 



More important than the portfolio itself? The funds we raise will go directly towards restoring Cerebus and printing new editions of the next volumes.

I personally think the portfolios are amazing-- crystal-clear warts-and-all color reproductions, illuminating notes, exclusive bonus prints and great overall presentation-- but the product, hopefully,  is not the actual physical product, but the long-term preservation of this great monument of comics literature. 

And it is happening! Right now, a cargo ship is steaming (?) (I'm not a naval man) its way to America full of 3,635 copies of the best edition of Church & State I that's ever existed, a big brick of a book with incredibly crisp state-of-the-art  sheet-fed offset printing of pages that have had every ounce of detail wrung from them, every blemish corrected. NONE of this would have been possible without the contributions of the 240-odd Cerebus fans who contributed to CAN2.

(The only thing that will make this book better? More original art eventually coming forward!)

That being said, this particular campaign could possibly be the turning point. We've finished High Society and Church & State I, 1100 pages in all, but the last two books of the earliest 1/3 of the 6,000 page saga are still in process. We're currently about halfway through both Church & State II and Cerebus V1, working on them simultaneously, as we don't know which one Diamond will require next.

Up until this point, all of the restoration has been in one mode-- "Do everything possible to make this page as good as it can possibly be." Work with original art even though every single piece of mechanical tone on the page has shrunk to about 80 percent of its original size? Sure. Get a negative scan as well and combine the two to improve the results? Sure. Add in that missing banner there from a scan of a print copy? Sure, sure. Spend upwards of 4 hours (!) on a single page cleaning up tone digitally? Well, uh, okay, but how about we don't have too many of those pages, huh??

All these techniques and more have been involved in High Society and Church & State I restorations. And frankly, this would most likely never happen at a conventional publisher. Never.

Why?

Margins are just too tight on books to afford to shell out thousands of dollars on restoration, when, so conventional wisdom holds, readers don't really care about image quality. This is conventional wisdom-- "good enough." With some notable exceptions, publishers seem to be right. People are happy to have a book on their shelf, happy to be able to read it, flip through it when they want. "People want an object to fondle," as Frank Zappa memorably put it. And if some people complain about print quality, well, those people would complain about anything, right? But quality of reproduction DOES matter in comics, which are after all, a visual medium, even more so than film or television, which rely so much on sound and music to carry forward the audience. And Dave and Gerhard's work, the best pen and ink work of the second half of the twentieth century, deserves to have the best reproduction possible. More broadly, I think the more people are exposed to quality reproduction, the more the fine distinctions matter to them. 

Let's take a look a page from the very end of C + S I to get a sense of why the restoration is necessary, and what a more minimal version of it might look like.

I'm going to mainly show close-ups here, as these things are less obvious on screen than they are in print.



Issue 80, page 8 + 9 is a great double-page spread. These color scans came courtesy of the collection of Oystein Sorensen. Thanks so much Oystein!

First off, let's zoom in on a section of that massive chunk of tone used to make the two values on the building--



See the white lines there? That's where the tone has shrunk and moved towards the center. Every piece of tone has shrunk over time, but the older it is, and the larger it is, and the more sun exposure that particular page has had, the more shrinkage there is. This means that the worst pages to restore are pages with physically large tone, across the page-- most of issue 80, the throne room/Astoria's trial, the giant stone heads/Mick + Keef, the tunnel/tower/ascension sequence. Anything with large chunks of tone= a huge pain in the ass.

Then why work with original art anyway? Don't we have negatives for this book?

Well, take a look below.


Here's a small area of the sky/clouds and the side of the building. In addition to the tiny migrated tone on the building edge, do you see all those very fine (and very watery) ink lines making up the clouds?



Here's a closeup of that same area of the negative. Notice anything missing?

About half of the lines of that entire section of the sky, which makes up about 1/6th of the page, have been blown out/have disappeared. too watery for the stat camera to capture.

The same thing applies to the window above Cerebus's head. See all that watery but otherwise excellent crosshatching? All gone in the negative. In addition, all of the fine DARK areas-- the dark tone, the very dense areas of cross-hatching--have have significant fill-in from the stat camera just not being nearly as sharp as the combination of modern flatbed scanners and massive amounts of digital sharpening. 



For the final results, please consult your brand-spanking new copy of Church + State I, in comic stores soon... this is a very stark contrast in print, but harder to communicate on screen.

Every page is different, has its own sets of challenges, but almost all of these challenges, at this stage, are a direct result of the age and condition of the materials, and their non-archival nature. 

Here's an interesting example from the new portfolio-- issue 82 page 5. Great page, great layout, great drawing. And interesting example of tone shrink--


In this case, the Thrunk contour line was drawn over the Letratape border, and so the shrinkage has caused a gap to appear in the edge of the figure. You can also see it to the right, where the line of Gerhard's clouds spilled into the carrier film at the edge of the border, and has now moved down a bit on the page.


Here's another one from the portfolio. Cerebus' tone no longer reaches the edge of the panel border. This one is easier to fix because its largely clear of other lines, but multiply this by 3-8 figures per page and it starts to slow you down.

So, what did we gain from our several hours (!) of work on the Thrunk spread? A few hundred extra lines, no gain/plug-up in the details, a significantly sharper and more fine page that could be printed larger than the original artwork and still look crisp and beautiful. In short, what the page would have looked like had it been perfectly photographed the day it was created.
And is that worth the time and expense?

That's the question we'll have to face going forward, and which this campaign will largely determine.  We're locked into this "anything goes, get the best results possible" restoration for the remainder of the current two books, but if there's a significant drop-off of interest in this campaign, we'll have to move to a more streamlined model of restoration.

For instance, for any future book with uniform materials, i.e. all original artwork or negatives scanned in the same method on the same scanner, I can script the pages, i.e. make a Photoshop macro that will spit out a "one size fits all" approach to every page. The result of this would be pretty good-- the negs, specifically, would look exactly as they did before, and with the better printing provided by Tien Wah Press or another detail-oriented sheetfed offset printer, the books would still look better than they ever have before. You could use a similar approach to the original art, but all but the most general cleanup would be out, so any pages with particularly damaged tone would have to be replaced by negative scans instead. 

But even with the more involved restoration possible, there is a light at the end of the tunnel, and that is that the artwork is newer, the tone less shrunken, as we move forward. Dave and Gerhard also used less tone in general going forward, with the notable exception of the Fall and the River portion of Going Home. So, assuming those pages are scanned in their current state and not, say, ten years from now, we'll see a reduction in the sheer amount of effort needed to clean these pages and restore them to their former glory.

Assuming, that is, that interest stays strong, and we can keep moving ahead, keep afloat underneath the "rip tides of cash", as Dave has called it, paying out for the expenses of fulfilling the campaign (itself, I believe around 1/3 of the total amount raised) tremendous amount of scanning, for restoration, for design work, for ads,  and finally massive amounts to the printer, then waiting patiently for it to come back, months later, when the books have arrived at Diamond.

Assuming, still, that obsessing over all these tiny details doesn't fry my fragile brain.

Wish us luck!