THE CAMBRIDGE CITIZEN:
(from an article by Shelly Byers, The Cambridge Citizen, June 2012)
"I realized I wanted my art to hang on walls, not line the bottom of
bird cages," says local artist, Gerhard. With a variety of pencils,
pens and watercolors surrounding his drawing board he sets to work on
his latest project: a four foot square tracing of a tapestry to be
recreated in silk by Chinese masters.
Best known for his backgrounds and environmental designs for Cerebus, Gerhard's work spans over 30 years. Cerebus would become
the longest running, self-published graphic novel in Canadian history
and open the flood gates for other comic book artists breaking free of
the confines of the business at the time, including the authors of The
Teenage Mutant Ninja Turtles.
Right now, however, Gerhard is tackling the tapestry putting it
aside on occasion to work on the illustrations for a children's story, The Wish and a few of the commissions he has received from people
around Canada, United States and Europe. Long-time fans have been coming
out of the wood work since he started drawing again happy to see that
his signature crosshatching technique, the "Gerhard touch", still
tingles the senses.
Born in Edmonton, Alberta, Gerhard's family roamed around Waterloo
Region moving 12 times in as many years. Like many kids from
middle-class, working families, Gerhard was often in the care of
babysitters. One special caretaker took an interest in the art of the
young boy sitting silently at his Formica kitchen table drawing his
thoughts onto paper with a pencil. Bread was needed more than crayons.
"I don't know her name, but she certainly changed my life," Gerhard recalls.
To help the youngster add interest and tone, she showed him how
different shades of gray could be used to fill in areas without the need
for colour. She would never know that years later he would win awards
for his crosshatching technique using tiny lines to shade and create
dimensions in gray and black.
In high school his now colourful and sophisticated "doodles" of
dragons and bell-bottomed self-portraits tattooed the covers of
duo-tangs. His art won him acclaim from students and teachers, though he
struggled for a passing grade in the subject. "My art didn't fit into
that mold. They tried, but I wasn't interested."
Once out of high school, Gerhard tested his patience with uninspired
jobs, always dreaming that his art was his ticket out of the daily
grind. Drawing pictures of winter tires and hamburgers in fliers (that
would one day line bird cages) was a good place to start. Working in an
art store was another. Located in bustling downtown Waterloo, Gerhard
delivered art supplies to local artists including Dave Sim, the budding
author of Cerebus a graphic novel based around the title character who
happened to be an aardvark with attitude. Gerhard was invited to draw
the backgrounds behind the characters on issue number 65 and stayed.
Fans began using magnifying glasses to study his designs. His
coloured covers became known throughout the comic book community as
unique and distinctive.
The book became a cult favourite and the duo traveled to the United
States and Europe to promote the book, sign copies and find quiet
places, like Hawaii, to create the world of Cerebus. "We felt like rock
stars," says Gerhard. "But we were always working. No matter where we
were, the book had a deadline. I saw a lot of hotel rooms during those
trips."
Dave was in the foreground casting the characters and creating the
story while gaining notoriety as a rebel self-publisher whose sometimes
overbearing thoughts on life filtered into his story line and onto the
back pages of the monthly issues. Gerhard quietly stayed in the
background where he created intricate environments that told a whispered
story behind the characters and gave them a solid place to exist. It
was art imitating reality.
Cerebus would die at the end of issue 300 (sorry to kill the ending for you) and conclude a 20 year collaboration.
After a grueling schedule for so many years, Gerhard took a long
break. "Drawing at such a pace took the fun out of the process," says
the artist. He went sailing.
But you can't take the art out of the artist. A friend and fan
commissioned the World Without Cerebus series based on Gerhard's
backgrounds, omitting the aardvark. Reluctantly, but with pencil back
in hand, Gerhard started drawing again. Now, with renewed fervor, he has
launched his website and continues to push the boundaries of his talent
to create his own visions.
"It's always been about the art," he says crossing his arms and
stepping back from his work to study it. "It's really all I know how to
do."
Gerhard can be found online at Gerhard Art and Gerz Blog...
...along with details of Gerhard's prints for sale.
...along with details of Gerhard's prints for sale.
1 comment:
Hey Shelley! I was a onetime reporter for the Citizen... used to have illicit fun inserting puns into story headlines. I also wrote a story for the Record about my childhood friend Dave Sim, which ran alongside the photo of him in his parents' basement, long before you met him and before he met Cerebus.
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