(from Suggested For Mature Readers, 30 November 2015)
...At the opening of [Glamourpuss] #14 there’s a splash page, as if he’d out-of-the-blue
remembered the grammar of comics and how it can be used, of a gull-wing
Mercedes and a story begins. The story of Alex Raymond’s final day of
life, September 6th 1956, when he uncharacteristically visited fellow
comic-strip artist Stan Drake and the two went for a drive in Drake’s
new Corvette. Raymond, a sports-car enthusiast, was at the wheel when it
crashed. He died. Drake doesn’t remember what happened. Dave Sim, a
very different kind of comic artist working more than half-a-century
later, decides to reconstruct the whole thing. And in doing so, you’re
reminded why anyone paid attention to Sim in the first place; because
he’s good.
The story, later titled The Strange Death of Alex Raymond and the last
thing Sim was working on, takes up roughly half – between 10 and 12
pages – of each issue from #14 to #26, the final issue. It isn’t
interspersed with the Glamourpuss stuff anymore, but gets an
uninterrupted stretch of its own. It isn’t, of course, without its
late-stage Sim touches. As the last 30-odd issues of Cerebus proved, he
was no longer capable of and/or willing to create comics that weren’t
expressions of his personal philosophies. The authorial voice that’s
been the only thing holding the photorealism sections of the comic
together is still there. Raymond is left standing at a door, waiting for
his knock to be answered, while Sim analyses signatures and
cross-hatching in The Heart of Juliet Jones for seven pages. But there
is now action to get back to, an actual narrative with propulsive force,
that makes that analysis a digression with a point. And the art’s
changed. The photorealism influence is still there in the cars and the
objects, but for Raymond, Drake and the other characters Sim’s back to
the cartooning he mastered over 20 years, figures and faces realistic
enough but always with that expressive, rubbery feel that keeps them
bouncing through the panels and the reader’s eye powerless not to
follow.
The return of panels returns Sim to the music of his art, using
layout to play with perception and expectation and the flow of time like
he used to. A fantastic cruciform page layout showing Raymond entering
Drake’s office is an example of the vision, the fluency, a lifetime in
comics allows you to do. A page in #18 showing Raymond and Drake from
the back, the latter clearly flirting and the former seething, is poetic
in composition, in detail, in heavy blacks and whisper-fine linework,
making the words around it redundant...
The above is a short excerpt from a longer review of Dave Sim's Glamourpuss. Full article here...
Help Dave Sim complete 'The Strange Death Of Alex Raymond' at Patreon.
Help Dave Sim complete 'The Strange Death Of Alex Raymond' at Patreon.
1 comment:
"making the words around it redundant"
Which was largely the motive behind glamourpuss in the first place...just like fashion magazines! But, I'm glad he did find a narrative in Alex Raymond's death. I'm almost finished the first draft of SDOAR, and even having worked on it almost daily for the past month, there is so much detail on every page, I'm sure I'll be re-reading it and discovering new things a year from now.
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