Dave Sim's Tribute to Spider-Man #24 (1965) by Steve Ditko
(Click image to enlarge)
DAVE SIM:(from Dave Sim's Blog & Mail, 12 February 2007)
...Okay, so I arrived back home and found that I had a package from ACTOR
(now renamed HERO) which Jim McLauchlin had promised me was on its way
which included my contributors copies ACTOR Comics Presents. And there I
was on the cover -- one of the headliners! Yes, strange but true. "SIM":
Right after Stan Lee, Linsner, Waid and Dini. Heady company. They
don't come along every day, but there are these moments when the Pariah
King of Comics feels decidedly less Pariah-like and this was one of
them. I have to say that this issue's Stan Lee story is my new
favourite Stan Lee story of all time. I'm sure they still have a bunch
of these available so why not order a copy and see if you don't agree
with me that this is one of the best (if not THE best) Stan Lee stories
of all time? www.HeroInitiative.org.
Also in the package were two copies of Ultimate Spider-man issue 100 which Jim had told me about over the phone. As you might have seen in your local newspaper Marvel was having a bit of a celebration that Brian Michael Bendis and Mark Bagley were about to become the first Marvel creative team since Stan Lee and Jack Kirby on the Fantastic Four to do a hundred consecutive issues of one title. It became a bit controversial (as claims go) with a number of you Yahoos pointing out that the Pariah King of Comics and Gerhard had done 236 consecutive issues and Mark Evanier pointing out that he and Sergio Aragones had broken the 100 consecutive issue streak with Groo as part of Marvel's own Epic Comics line. Which got more peculiar when Marvel announced that Groo didn't qualify as a Marvel title because it was creator-owned! I appreciated people -- especially Jeff Seiler who contacted the Dallas Morning News to run a correction: thanks, Jeff! -- feeling bad on my behalf, but it's really sincerely misplaced in this case. A hundred issues is a hundred issues and there are only so many people in the Century Club and only those in the Century Club know exactly how hard it is to do that many consecutive issues of a title so the last thing anyone wants to do (or the last thing the Pariah King of Comics wants to do) is to dump on anyone who has subjected themselves to and endured the gauntlet of that singular form of creative torture. Also, doing comics in a corporate context comes with its own brand of trouble and impediments. To do a hundred consecutive issues of a comic book in a context where it often isn't clear who is running the show or what they want or what they will allow today and still allow tomorrow -- well, let's just say that Mark and Sergio and Ger and the Pariah King of Comics never experienced that particular series of high hurdles in addition to the problems inherent in writing and drawing that many comic pages.
So, anyway, Jim told me that Marvel was printing up a batch of Ultimate Spider-man #100 with the cover image blanked out and was sending them to HERO to forward to 100 different cartoonists to embellish and to auction to benefit HERO and that they were wondering if the Pariah King of Comics would do one. Well, hey, it's not often that you get two sincerely non-Pariah moments in one Fed Ex box (I have to say that Jim McLauchlin and his ACTOR people have always treated me with the utmost respect) and I readily agreed. In fact, to mark just so extraordinary achievement struck me as calling for a completely unprecedented contribution from the Pariah King of Comics: Dave Sim doing his first ever Spider-Ham cover!
[For those not aware of the history, way back when the earth was still cooling and I had done my three consecutive Wolverroach covers on Cerebus 54, 55 and 56 -- thereby sincerely pushing the boundary between misappropriation of a trademarked character and legitimate parody -- I suspect that Marvel decided to fire a warning shot across my bow by coming up with a funny animal version of Spider-man that was basically Cerebus in a Spider-man costume. I don't know whose idea it was (Jim Shooter his own self?) but I have to say that I always admired the thinking behind it. It was a very measured response along the lines of "See? How do YOU like it?" while also a creative one and, ultimately, a profitable one! According to my Overstreet Guide, Peter Porker, The Spectacular Spider-Ham ran for seventeen issues from May 1985 to September 1987 as part of Marvel's Star Comics children's line. Not a bad run for the mid-80s]
Anyway, I always thought it would be interesting if an opportunity arose where I could draw Spider-Ham (just for the experience if nothing else) and this benefit project seemed like the moment I had been waiting for. So, straight off the bus from Toronto, there I was photocopying Steve Ditko's cover to Spider-man No.24 from an Essential Spider-man volume and tracing it off, size as, onto the blank Ultimate Spider-man #100 cover and then tightening it up in pencil. The next day I went looking for my copy of Spider-man No.24 so I could colour the cover before inking it and try to match the colours as closely as I could. I found my other four original Ditko Spider-man copies, but could not find my copy of issue No.24 anywhere. I phoned Pete Dixon at Paradise Comics to see if he could send me a colour photocopy of the cover or bring a copy up that I could borrow. I had no idea that I was about to be felled by the Seriously Strange Illness in roughly 48 hours and that that would be it for me and drawing and writing for a good month. I was going to let Jim McLauchlin and the HERO folks down big time (the deadline was January 15). As you can see, this is still as far as I have gotten. I figure what I will do is run this pencilled version here and then try again to find some colour reference for it and watercolour it and ink it and maybe HERO can auction it later in the year as the Last of the 100 Versions of Ultimate Spider-man 100. And maybe some generous Cerebus Yahoo will bid WAY,WAY, too much money for it so Jim McLauchlin will forgive me.
Anyway, major hats off and cheers to Bendis and Bagley on their remarkable achievement and to Marvel for coming up with such an original way to celebrate that achievement and to raise some money for a worthy cause.
I'm here to do my part, I'm just going to be unbelievably late doing it. Hope everyone likes the tight pencilled version, anyway.
Also in the package were two copies of Ultimate Spider-man issue 100 which Jim had told me about over the phone. As you might have seen in your local newspaper Marvel was having a bit of a celebration that Brian Michael Bendis and Mark Bagley were about to become the first Marvel creative team since Stan Lee and Jack Kirby on the Fantastic Four to do a hundred consecutive issues of one title. It became a bit controversial (as claims go) with a number of you Yahoos pointing out that the Pariah King of Comics and Gerhard had done 236 consecutive issues and Mark Evanier pointing out that he and Sergio Aragones had broken the 100 consecutive issue streak with Groo as part of Marvel's own Epic Comics line. Which got more peculiar when Marvel announced that Groo didn't qualify as a Marvel title because it was creator-owned! I appreciated people -- especially Jeff Seiler who contacted the Dallas Morning News to run a correction: thanks, Jeff! -- feeling bad on my behalf, but it's really sincerely misplaced in this case. A hundred issues is a hundred issues and there are only so many people in the Century Club and only those in the Century Club know exactly how hard it is to do that many consecutive issues of a title so the last thing anyone wants to do (or the last thing the Pariah King of Comics wants to do) is to dump on anyone who has subjected themselves to and endured the gauntlet of that singular form of creative torture. Also, doing comics in a corporate context comes with its own brand of trouble and impediments. To do a hundred consecutive issues of a comic book in a context where it often isn't clear who is running the show or what they want or what they will allow today and still allow tomorrow -- well, let's just say that Mark and Sergio and Ger and the Pariah King of Comics never experienced that particular series of high hurdles in addition to the problems inherent in writing and drawing that many comic pages.
So, anyway, Jim told me that Marvel was printing up a batch of Ultimate Spider-man #100 with the cover image blanked out and was sending them to HERO to forward to 100 different cartoonists to embellish and to auction to benefit HERO and that they were wondering if the Pariah King of Comics would do one. Well, hey, it's not often that you get two sincerely non-Pariah moments in one Fed Ex box (I have to say that Jim McLauchlin and his ACTOR people have always treated me with the utmost respect) and I readily agreed. In fact, to mark just so extraordinary achievement struck me as calling for a completely unprecedented contribution from the Pariah King of Comics: Dave Sim doing his first ever Spider-Ham cover!
[For those not aware of the history, way back when the earth was still cooling and I had done my three consecutive Wolverroach covers on Cerebus 54, 55 and 56 -- thereby sincerely pushing the boundary between misappropriation of a trademarked character and legitimate parody -- I suspect that Marvel decided to fire a warning shot across my bow by coming up with a funny animal version of Spider-man that was basically Cerebus in a Spider-man costume. I don't know whose idea it was (Jim Shooter his own self?) but I have to say that I always admired the thinking behind it. It was a very measured response along the lines of "See? How do YOU like it?" while also a creative one and, ultimately, a profitable one! According to my Overstreet Guide, Peter Porker, The Spectacular Spider-Ham ran for seventeen issues from May 1985 to September 1987 as part of Marvel's Star Comics children's line. Not a bad run for the mid-80s]
Anyway, I always thought it would be interesting if an opportunity arose where I could draw Spider-Ham (just for the experience if nothing else) and this benefit project seemed like the moment I had been waiting for. So, straight off the bus from Toronto, there I was photocopying Steve Ditko's cover to Spider-man No.24 from an Essential Spider-man volume and tracing it off, size as, onto the blank Ultimate Spider-man #100 cover and then tightening it up in pencil. The next day I went looking for my copy of Spider-man No.24 so I could colour the cover before inking it and try to match the colours as closely as I could. I found my other four original Ditko Spider-man copies, but could not find my copy of issue No.24 anywhere. I phoned Pete Dixon at Paradise Comics to see if he could send me a colour photocopy of the cover or bring a copy up that I could borrow. I had no idea that I was about to be felled by the Seriously Strange Illness in roughly 48 hours and that that would be it for me and drawing and writing for a good month. I was going to let Jim McLauchlin and the HERO folks down big time (the deadline was January 15). As you can see, this is still as far as I have gotten. I figure what I will do is run this pencilled version here and then try again to find some colour reference for it and watercolour it and ink it and maybe HERO can auction it later in the year as the Last of the 100 Versions of Ultimate Spider-man 100. And maybe some generous Cerebus Yahoo will bid WAY,WAY, too much money for it so Jim McLauchlin will forgive me.
Anyway, major hats off and cheers to Bendis and Bagley on their remarkable achievement and to Marvel for coming up with such an original way to celebrate that achievement and to raise some money for a worthy cause.
I'm here to do my part, I'm just going to be unbelievably late doing it. Hope everyone likes the tight pencilled version, anyway.
2 comments:
Ooh, I never realized how close to the original this was. So pretty!
As to Spider-Ham's relationship to Cerebus:
http://goodcomics.comicbookresources.com/2012/02/03/comic-book-legends-revealed-352/
I JUST bought this during the boxing day sale at Toronto's Beguiling. It's included in a scrapbook that contains a whole bunch of other variants in honor of USM's 100th issue. They stick it in the last page in the book (?!), but I should be grateful since there were others that arrived last minute and were just shrunk down and assembled into a measly collage.
Post a Comment