By Bill Sienkiewicz & Dave Sim
FPI BLOG:(from The Art Of Bill Sienkiewicz, 2 November 2013)
...Sienkiewicz began his pro career at Marvel, his style on Moon Knight
very quickly shifting from something very influenced by Neal Adams to
something far more expressive, and it's this extreme expression most
people will think of when you mention Sienkiewicz's name. From here it
was on to various projects; Marvel Comics' New Mutants, DC Comics' The
Shadow, and on to various other publishers. Famously he produced the
first couple of issues of Alan Moore's lost epic Big Numbers, before
leaving the project. Sienkiewicz's work is still as visually interesting
as it’s always been, mot recently seen in the pages of Brian Michael
Bendis' Daredevil: End Of Days….
(Image via Brian Coppola. Thanks!)
2 comments:
exactly how sad is it that I popped open today's MoC and saw this drawing, and immediately said to myself "wow… a convention sketch with a Sienkiewicz Moon Roach… I wish I had a…"
and then I saw the acknowledgment, and had to go find it just to prove to myself I had it. Oy.
Um...to answer your question: very. If I owned that sketch it would be framed and up on a wall and I'd see it every day. Sienkiewicz really caught the Moon Roach's grimace. Very nice.
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