ALWAYS.
It stressed him out incredibly but on my side there were just minor
adjustments necessary. When we fell behind and went to Hawaii to get
caught up, it was because he was slowing down and I was looking at the
pages on the wall and going, "Well, I'm fine. I'm five pages ahead. I'll
wait 'til he starts getting caught up and then I'll do some more
pages." Well, no, then he just slows down and goes "Well at least he
isn't putting any more pages up on the wall, so I've got time to do
these." Then I'd have to do more pages faster because the end of the
month was coming up. So, then I just worked at my own pace. Get an
issue done in three weeks. Period. No excuses. Complete blinders on. Danny Thomas gave his daughter Marlo blinders as a present one time
with a card "Run your own race." I never forgot that.
Twenty
nails on the wall with twenty buffalo clips and the pages go up and
Gerhard finishes them. I fill the twenty hooks in three weeks. Then
when we moved the operation to the Off-White House, we each had a room
with twenty nails on the wall and twenty buffalo clips. So I'd fill up
my wall and then he'd take them down and finish them. If I go ahead, I'd
put the next issue's pages on his wall, so he can see that the other
wall is full and now his wall is filling up. Not subtle, but very Real.
And then I'd even get to the point where I had my "orphans of the
floor". Both walls are filled up and I'm three pages into the third one
and the pages are next to my drawing board leaning against my table.
He gets the issue done, moves the pages off his wall onto my wall and
puts my orphans onto his wall.
Did you ever ask him to change something he had drawn (or wanted to, but bit your tongue)?
No.
It would never have occurred to me. He was a much better technical
artist than I could ever hope to be. It's a Gerhard page. It blows
anything else in comics out of the water. It wasn't until WAY late, the
second or third last year -- 2002, 2003 -- when the stress was really
getting to him and I said, "If you want, I'll just fix anything I don't
like." Anything I think I can add, I'll just put it in. And yes, that
was a great relief to him. Because he thought I was chewing my tongue
to ribbons. For me, it was fun. Are you kidding? A finished Gerhard
page and I can go -- you know, a few 102 pen strokes here would really
make it look like Wrightson. But it was always COMPLETELY unnecessary.
But I would get this sense of relief from him when I would do it. His
stomach might be in much better shape today if I had said that in 1990,
say. But, it was COMPLETELY unnecessary. Why would I think to say it?
We're now off to MILLAR WORLD, where James L. Sarandis has a few questions, but the one that caught my eye was this one:
Pretty much the same question as Dave Vai above but with Eastman and Laird's TMNT. Also What was your favorite collaboration?
Hit the link to MILLAR WORLD for the answer to that question... and be here tomorrow for more HARDtalk.
6 comments:
Wouldn't be awesome for Dave and Ger to sit down in front of a couple of expensive cameras and have a dialog about their experiences working together. It could be a kind of fireside chat, and then edited professionally.
Oops, I meant "wouldn't IT be awesome..."
I'd watch that. Come to think of it, it would be GREAT to have as commentary on the eventual CHURCH AND STATE disk!
I was just thinking... wouldn't it be awesome if Dave and Ger created a NEW Cerebus cover for the CEREBUS COVERS IDW book?
The Beatles may be getting back together, at the same time, as a special treat to go along with this special event!
Knowing those involved, this has about as much chance as a deal with Kim Thompson and Gary Groth...
@ M Kitchen -
Absolutely.
@ M Kitchen -
I've unboxed my old copies and am going through the Church and State stuff... I somehow forgot how utterly incredible Gerhard's stuff is. Either that, or I took it for granted at that earlier age, and now I'm realizing what an accomplishment it is. Geeze Louise... very humbling.
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